Okay, time for another rant against Pitchfork.

So 21st Century Breakdown came out a few weeks ago. I bought it and while I’ve only listened to the whole thing all the way through once, I enjoy it. It’s no American Idiot to be sure but it has its high points and is still better than Nimrod and Warning.

Still, if you don’t like the album that’s fine, that’s your opinion and you are more than welcome to it. Jess Harvell at Pitchfork did not like it, and he wants you to know right off the bat that he didn’t like American Idiot either, starting his review with “I wanted to like American Idiot. Really.”

Okay, Jess didn’t like American Idiot, big deal, but as the review continues he acts like that was the popular opinion, adding, “Two listens in, though, and it was clear: American Idiot was musically dodgy and politically empty. Political pop has its place, at least when didacticism doesn’t drain the wit and life from a band’s songwriting. But American Idiot failed utterly as coherent propaganda and as rock invigorating enough to agitate the pleasure centers.”

If he wants to think that fine, but considering that nearly every other critic in the world said the exact opposite, including the critic who reviewed the album for Pitchfork back when it first came out, maybe Jess should’ve realized that he’s in the minority with that opinion and state as such. If your only information about American Idiot came from this review you’d think that the album was an undeniable critical bomb (when it was, y’know, the opposite of that).

Harvell has no business reviewing this album. Not because he didn’t like American Idiot, but because he is obviously not suited to give the readers the information they want to know about the album, i.e. is it as good as American Idiot.

Partially-hypothetical example: I really really really do not like The Joshua Tree. I think it’s a bloated, indulgent piece of shit and there are only two things I hate in this world more than “With Or Without You,” and those things are “Where The Streets Have No Name” and “I Still Haven’t Found What I’m Looking For.”

My opinion of The Joshua Tree isn’t any more right or wrong as the next guy, however, I understand that I am in the minority viewpoint when it comes to that album. So, if I was a critic in 1991 tasked with writing a review to Achtung Baby (another album I’m not a fan of) I would not begin it with, “Joshua Tree was a failure of a record,” because that’s not really fair. In fact, me reviewing that album at all wouldn’t be fair, I would be ill-suited. Everyone reading a review of Achtung Baby would want to know if it sounded in comparison to The Joshua Tree, and me saying “it sucks less than that other album that I thought sucked” is not a valid answer to that question.

Can a critic review an album by a band he doesn’t like? Sure, but he has to be honest about it, say something like, “I’m not a fan of this band, but if you are and want more of the same by them then you should enjoy this record.” Instead of doing that Harvell retconned reality and turned American Idiot into a critical flop just because the truth didn’t fit his fucking lead.

And if anyone can tell me how a 4.8 album is worse than a 4.9 album I’ll give them a cookie.

They Might Be Giants
Cabbagetown
Siftin’
Larger Than Life (Joshua Fried’s remake of She’s Actual Size)
Holy shit TMBG b-sides! You have any idea how hard it is to find these? For a band as fan-friendly as TMBG it’s pretty amazing that they haven’t yet released a rarities compilation (that I’m aware of). Sure, there was Then: The Earlier Years but that only encompassed their first two LPs, we need more dammit! These b-sides are from the maxi-single of “I Palindrome I.”

The Sugarcubes
Vitamin (Babylon’s Burning)
Vitamin (E Mix)
Walkabout (Remix)
After buying that massive box set I was surprised to find out that there were singles by The Sugarcubes that I somehow didn’t own. “Vitamin” is not one of my favorite Sugarcubes tunes, so I’m not that into these remixes. I will say though that the “Vitamin (E Mix)” is one of the most cleverly named remixes I’ve seen that isn’t an Eraser remix, and the remix of “Walkabout” is pretty good.

Siouxsie And the Banshees
Fear (Of The Unknown) (Vertigo Mix)
Cities In Dust (Remix)
The Passenger (LLLLLoco-Motion Mix)
I’ve had that Vertigo Mix of “Fear (Of The Unknown)” for years, but it was a rip from a vinyl that looked like two cats had sex on it then died, so it sounded like shit. Thank god for random maxi-single finds are sub-par record shows! Strangely, the remix isn’t posted on the tracklisting of the single, but only on the CD itself, which makes me believe it was a last minute addition. It’s a hardcore house re-imagining of the track, and is pretty damned good, which is not that surprising since it was remixed by everyone’s favorite gay formerly meth-addicted DJ from PA, Junior Vasquez. The other two mixes are from 12” promo singles. I don’t know what makes the “Cities In Dust” mix that different than the LP version, but the remix of “The Passenger” is about 5 minutes longer than the album cut. Awesome cover.

This entry was posted on Wednesday, May 27th, 2009 at 4:22 am and is filed under B-sides, rant, remixes, Siouxsie and The Banshees, Sugarcubes, TMBG. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.