My move to my new apartment is really kicking into high gear now. Since my new place is in the same building as my old place, I’ve been slowly moving a few things over everyday, as much as my back will allow. All my records are currently at my new place, as is my record player. This, coupled with a scary resurgence in COVID cases here in Tokyo, means that I can’t rip any LPs at the moment. Thankfully, I have an impressive backlog that I have to get through. However, nearly everything in said backlog is more weird-ass Japanese electronic shit. Or Madonna. So I hope you like stuff like this. Or Madonna. Cuz that’s what I have to offer in the immediate future.

Symphony Urusei Yatsura

I’m not all that into anime, at least not anymore. I was a teen in the mid-90s after all, so I was super into it then. I owned Akira on VHS tape, watched Ghost In The Shell a million times, rented weird random shit like Gunsmith Cats and Riding Beam, and even may have covertly sneaked out some “adult” anime out of my dad’s video store from time to time. But as anime got more omnipresent in the early 2000s, I checked out. I think the last series that I followed obsessively was Cowboy Bebop, and even then I didn’t finish it.

One anime that I always knew of, but never really engaged with, was Urusei Yatsura. I don’t know how, why, or when, I’ve just seemingly always known of its existence. Perhaps laserdiscs of it graced my local Suncoast Video back in the day, who knows.

I finally watched Beautiful Dreamer a couple years ago, the second and most widely regarded movie in the Urusei Yatsura series. It totally blew me away. Not only did it have an incredible story, but it was full of gorgeous, surreal images. I learned where 8 million vaporwave Tumblrs got their gifs from. I super recommend it. Even if you’re not an anime fan I’d say it’s worth checking out if you’re into sci-fi, philosophical films, or just weird shit.

However, I haven’t checked out any additional Urusei Yatsura content since then, which is a roundabout way of explaining that I don’t really know the origins of the music on this release. I know none of the tracks here were in Beautiful Dreamer, but I couldn’t tell you if they showed up in any other movies or OVAs from the series. There are a lot!

So what the heck is this exactly? Again…I don’t really know! It’s a very strange release. Like the Digital Trip albums that I love so much, I think it’s an all synthesizer re-imagining of music from Urursei Yatsura animations? Maybe? Or it could be a collection of entirely original music that just happens to have the Urusei Yatsura name on it. A lot of manga in the 80s had “soundtracks.” Bubble economy, yo. I tried to do a bit of research for this, and I came across some references to a laserdisc of the same name. It sounds like some sort of longform AMV, with scenes from various films and OVAs in the series set to music. I imagine this might be the soundtrack to said laserdisc. But, like I said, this is 90% speculation on my part. Like so much of what I’ve been sharing lately, English information is nearly nonexistent.

Whatever the source, I sure do dig it. Aside from what sound like authentic Japanese instruments, this is all synthesizer. And like so many synthesizer albums from Japan that were coming out at the time, it’s playful as hell. It bounces back and forth between styles and sound effects like a rubber ball on speed. One second its a ballistic industrial explosion reminiscent of early Art Of Noise, the next it’s a classical Japanese piece, before transforming again into something that sounds like a pastiche of Close Encounters of the Third Kind, then there’s ragtime! Why not!. It’s a mile a minute, never boring, and fantastic background music for writing or packing up multiple boxes of records. Trust me.

The album is credited to “Apricot Systematic,” but I think the real person behind the album was Fumitaka Anzai. In addition to his work on the Urusei Yatsura series, he not surprisingly contributed to the Digital Trip album series as well. He also was a member of TPO, a fantastic, batshit bizarre Japanese synthpop act from the early 80s. He was also a member of Crosswind, a better-than-average late-70s/early-80s progressive rock act.

If you listen to this and dig it. I suggest checking out some of the Digital Trip albums. I’ve mentioned them many times before, they’re fantastic digital synthesizer reworkings of classic anime themes. I featured the Lupin one here a few years back, and there are also excellent albums in the series that feature music from Nausica, Bubblegum Crisis, Gundam, and many other classic anime titles. They’re all out-of-print, but you can find some good ones on Discogs and Amazon Japan at more than fair prices.

In the meantime, enjoy this slice of Japanese 80s ephemera.

This entry was posted on Sunday, November 29th, 2020 at 7:21 pm and is filed under Apricot Systematic, Complete Albums. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.