I guess NBC borked the Closing Ceremonies, cutting out Muse, The Who, Kate Bush and a ton of other amazing performances. I didn’t even bother watching it, because  I knew that would happen. I’ll just download the BBC’s broadcast in a few days. Once I do that, I’ll probably convert the whole thing to audio and then make MP3s out of the best songs. I probably can’t share them here though, because I hear the IOC cracks down pretty hard on any blogs that put up that stuff.
…
You guys know I’m on Twitter right? I mean…you should totally follow me on that.
*whistles innocently and walks away*
Front 242
Rhythm Of Time (12″ Remix)
Rhythm Of Time (Anti-G Mix)
Rhythm Of Time (Victor The Cleaner)
I’ve been trying to get into Front 242 for a long time, and will occasionally buy a 12″ single when I see one used, hoping it will be the track that finally gets me to appreciate them, but it’s always been to no avail. That is, until now, I think I finally found the song that will get me to dig into their actual records. Of course, it’s “Rhythm Of Time,” the closest thing the band ever had to a hit, so I guess that makes me a mainstream-leaning poser, but whatever, I like my hardcore industrial electronic body music to have a slight pop edge. Blame Nine Inch Nails.
Blondie
Call Me (The Ben Liebrand Remix)
Backfired (Remix)
I was going to start this description by saying that it would be impossible to find any connection between the Front 242 tracks and these Blondie remixes by producer Ben Liebrand, but then I went and found one. Liebrand is from the Netherlands. Front 242 is from Belgium. They are literally connected, sharing a border. So there you go.
These remixes are from 1989, several years after Blondie called it quits, and several years before they eventually reformed in the 90s. I think that Chrysalis Records just occasionally put these things out whenever they needed a quick buck. Still, I guess there are worst ways to pay the bills. At least they scored some great producers to have a go at these tracks. Ben Liebrand is a stellar producer/remixer who has worked with Genesis, TLC and Grace Jones, to name a few, Â the fact that he’s still making and releasing mixes shows that he’s doing something right. As for the “Backfired” mix, that was done by Bruce Forest, a DJ who did mixes for The Soup Dragons, OMD and a ton of other great artists from the late 80s and early 90s. It’s good, but of the two I think I prefer Liebrand’s take on “Call Me,” thanks to its extended synth sections that really work to Moroder it up in a great way.