Archive for the ‘Rick Wakeman’ Category

Bootlegs, 90s hip hop, 80s synth-pop, 2020s depression

Sunday, August 2nd, 2020

Sigh. World sucks and I wanna cry all day but instead here’s a hodgepodge of music to listen to with no rhyme or reason as to why I selected any of it.

Rick Wakeman
Space Oddity/Life On Mars (Live in 1997)
As cases began to spike again in Tokyo, the news kept saying that young people were the primary spreaders of the virus this time around. They were also saying that it was best to avoid crowded spaces as much as possible. So, I went to the one place that I knew wouldn’t be crowded, and would have zero young people: the progressive rock record store.

There are actually a few of these in the greatest Tokyo area, but my favorite is World Disque. The Disk Union Progressive store is great, but World Disque has mountains and mountains of oddball shit. Yo, wanna get Renaissance’s Japan-only EP? How about two live EPs by Gong’s current vocalist? Care for multiple Klaus Schulze box sets? This is the store for you.

I was right, no crowds and I (being 40 years old) was, without question the youngest person there. I correctly (sigh) assumed that cases were going to spike further in the following weeks, and treated myself to several records since I knew I wouldn’t be going out again shopping anytime in the near future. I picked up some of Arthur Brown’s Kingdom Come (great), Birth Control (also great), Robert Wyatt (uneven but good) and an album by Darryl Way’s Wolf (surprisingly good).

I also bought a Rick Wakeman 6 CD “official bootleg” boxset for a steal that ended up being exceptionally great. Not only were the performances (which ranged from the mid-70s to the early 90s) all utterly fantastic, but most of it sounded very good too. Sure, they’re bootlegs so they’re a little more bassy and muffled than official recordings, but as I got into the groove I didn’t notice it all that much, especially since Wakeman’s amazing keyboard always seems to shine through any mix and sound crystal clear.

So, there I was, at home getting drunk on absinthe, listening to Rick Wakeman bootlegs, and browsing Discogs when…okay look, long story short I just got another five CD box set of Rick Wakeman bootlegs in the mail and I’m expecting another 16 CD box set of more bootlegs any day now.

Shut up. We all cope with stress in different ways. I apparently cope with copious keyboard solos and absinthe. I can think of more dangerous combinations.

The above is from an exceptionally good sounding bootleg (I think it’s a soundboard or radio recording) from a show in 1997. This medley of Bowie tunes isn’t like the one that he released on piano after Bowie’s death, it’s a full band recording complete with vocals. It’s a good version, even without Bowie. I wish I could pick up who the singer is, but Rick rattles off his name so quickly at the end that I can never make it out. If anyone knows, fill me in!

 

P.M. Dawn
Reality Used To Be A Friend Of Mine (Club Mix)
Mostly sharing for the title. 100% relatable. Although, let’s be real, I don’t think that’s been true since 1999.

Is there a lot of low-key chill hip-hop these days? Excluding Juice WRLD, his lyrics were dogshit and his samples atrocious. I’ve heard a bit of Travis Scott and dig that sometimes. I especially love “Sick Mode” because I can get down on any track that gets you hype about napping. I’ve also listened a bit to Swae Lee. I really dig his delivery and can tell he has a ton of talent, but he’s almost too chill. Not enough melody sometimes. Also, that’s totally music for taking benzos to, let’s be real.

Anyways, this song is cool and probably also good for taking benzos to. Man, I wish I still had some benzos. Yeah, they’re horribly addictive and the comedown is rough, but sleeping for 10 hours straight is AWESOME.

 

Imitation
Thermo Limbo
Exotic Dance
I wrote about Imitation a while back after I happened upon their fantastic first album Original. Since then, I was able to track down their third album, which wasn’t as good as their stellar debut, but still pretty good. I’m still on the hunt for their second one, Muscle And Heat. I suspect that it might be the rarest of the bunch, since the only copy online I can find right now goes for $60. I’m not paying that much for a used LP from the 80s without getting a chance to hear it first, so I’m going to wait until I actually see it in person (if I can ever go to a record store again, sigh).

Anyways, while I haven’t been able to track down that album, I was able to score this 12″ single, which features two songs from the record. “Thermo Limbo” is the better one of the bunch, which a dope beat and good groove, but the out-there spacey “Exotic Dance” is also good. These tracks feature fellow 80s j-pop idol Sandii on back-up vocals, and I bet that they share a bit more with her as well. These sound a lot like Sandii songs, with a slight Hawaiian bent and a cool mixture of traditional and electronic elements. I love this stuff. It’s always my jam.

Posted in Imitation, live, P.M. Dawn, Rick Wakeman | 3 Comments »

Rick Wakeman’s Burning Sensation

Tuesday, July 12th, 2011

Okay, so I wrote this huge post and THEN I found out that the album is finally available on CD in the states. I don’t like to post in-print music, so I’m putting up one track from the soundtrack as a teaser. If you like it, go buy the rest.

 

Rick Wakeman – The Burning Soundtrack
Variations on the Fire

If you’ve never heard of The Burning, don’t be surprised. Although the plot has some curve balls, it’s still your typical, forgettable 80s slasher flick, complete with horny teens in the woods and special effects by fake blood guru Tom Savini. It’s pretty much remembered today for two things; This scene (WARNING: incredibly graphic violence) and the people who were involved in the production.

The Burning was produced by Harvey Weinstein and co-written by his brother Bob. That’s right, The Burning is the very first Miramax Film – the studio that later brought you Pulp Fiction, Shakespeare in Love and Clerks.

You think that’s nuts? Just wait, it gets even odder. Bob Weinstein didn’t write the script to The Burning by himself. Oh no, a flick of this high quality requires some serious collaboration. For help he turned to a man named Peter Lawrence, who later went on to write for such classics of 80s animation as Thundercats and Silverhawks. So we’re just one degree of separation between Cropsy (the killer of The Burning) and Lionel.

It’s a small world.

But that’s not even the most whacked out bit. A dude by the name of Brad Grey also worked on the story of The Burning. He later went on to serve as an executive producer for The Sopranos as well as The Departed. Now he’s the Chairman and CEO of Paramount Pictures!

So if you’re ever at a horrorcon, be nice to the guys who wrote the piece of shit indie slasher flick playing at 4PM on a Sunday, because you never know.

The talent in front of the camera is pretty forgettable, except for a supporting role by Jason Alexander and a super-quick bit part by Holly Hunter (seriously, if you blink you will miss her).

About the only person who worked on The Burning who didn’t go on to fame and fortune was the director and co-writer, Tony Maylam. He was primarily a documentary filmmaker before the release of The Burning, and he returned to that shortly thereafter. One notable exception being Split Second, a great/awful piece of 90s sci-fi/horror shit with Rutger Hauer and Kim Cattrall.

But give Maylam some credit, it is because of him that we have this stellar soundtrack by Rick Wakeman from Yes. The two previously worked together on White Rock, a 1977 film about the Winter Olympics. It was that relationship that led to Wakeman coming in to do the score for The Burning. 

I would have loved to sit in on the phone call Maylam made to Wakeman that convinced him to do the score to The Burning:

Maylam: Hey Rick, I might have some more soundtrack work for you if you’re interested.
Rick: Oh yeah? You doing a documentary on the summer Olympics?
Maylam: Not exactly, it’s a slasher film called The Burning. It’s about horribly burned camp groundskeeper who murders teenagers with a pair of hilariously large garden shears.
Wakeman: …can I work in some “shear terror/sheer terror” puns into the track listing?
Maylam: Sure thing!
Wakeman: I’m in! I’ll plug in 50 synthesizers and get to work immediately!

The first side of the LP is labeled as “The Wakeman Variations,” so I don’t think it’s a straight-up recording of the actual score. That half works better as a standalone recording, while the second, with its diversions into instrumental pop-rock and even some banjo-country jamming, are probably only of interest to fans of the film.

As I said before, the full soundtrack is now available in America for a pretty fair price. If you like Rick Wakeman or keyboard-fueled scores ala Tangerine Dream or John Carpenter, I suggest checking it out.

Posted in Rick Wakeman, soundtrack | 3 Comments »