Archive for the ‘soundtrack’ Category

The Decline Of Western Civilization Part 1

Monday, September 13th, 2010

I’m tired, so let’s just cut right to the good shit.

The Decline Of Western Civilization Original Motion Picture Soundtrack
The Decline of Western Civilization Part II is one of my favorite movies of all time, but Part 1 is pretty damn good too. Unlike Part II, which is full of unintentional hilarity, Part 1 is a semi-serious look at some seriously damaged individuals and their seriously great bands (um…and The Germs).  The early footage of X and Black Flag is mesmerizing, while the live train wreck that is the Fear show never ceases to amaze. Just like Part II (and the rarely seen Part III), it’s not on DVD, and I don’t believe the “official” website’s claim that anyone is working on those discs at this point. I have a bootleg. You can watch it on YouTube, and you can find it on a bay where pirates hang out. Get it that way. If they can’t be bothered to put the fucking thing out by now then that’s their problem.

Just like the movie itself, the soundtrack to Decline Of Western Civilization is woefully out of print. The copy I’m offering above is from a less-than-stellar vinyl copy I bought last month. It’s a little scratchy in parts, but it kind of adds to the dirt-punk charm of it all. The X songs sound great at least.

In case you’re wondering, here’s the complete tracklisting included in the zip file above:

Black Flag
White Minority
Depression
Revenge

The Germs
Manimal

Catholic Discipline
Underground Babylon

X
Beyond And Back
Johnny Hit and Run Pauline
We’re Desperate

Circle Jerks
Red Tape
Back Against The Wall
I Just Want Some Skank
Bevery Hills

Alice Bag Band
Gluttony

Fear
I Don’t Care About You
I Love Living In The City
Fear Anthem

I separated some of the speaking parts into separate tracks. Basically if it doesn’t have anything to do with the song that’s playing before it I made it a separate track. Otherwise it’s just like the original version.

Oh, and I put up highlights to Part II a while ago, get them too.

Ain’t No Buddy Of Mine

Tuesday, July 6th, 2010

I hope all my American readers had a pleasant Fourth of July. Mine was as enjoyable as pounding hot needles into my forehead.

Speaking of things that suck, I got another DMCA notice! That’s my third! Yay me I must be making friends in the right places to get that much attention. Progress on the new Lost Turntable site is ongoing. When the inevitable happens and Blogger shuts my ass down be sure to go to LostTurntable.com, as that is where I will be.

De La Soul
Buddy (Native Tongue Decision)
Buddy (Native Tongue Instrumental)
Ghetto Thang (Ghetto Ximer)
Ghetto Thang (Ghetto Ximer Instrumental)

That remix of “buddy” is on my top ten list of best hip hop remixes of all time. Dunno why, I just dig it. I especially dig the random interlacing of The Jungle Brothers’ “Got It Like That.” That song is on Fatboy Slim’s On The Floor At The Boutique, which I’ve probably mentioned a dozen times or so as my favorite mix album of the 90s. You should own that. These remixes are from a 12”.

Underworld
Promised Land
Little known fact: (well, not that little known, I’ve talked about it before) Underworld used to be a mediocre synthpop band before recruiting Darren Emerson and re-inventing themselves as the best fucking house band of the mid-90s. Listening to their pre-Emerson stuff it’s hard to imagine that they were the same group, especially after hearing this piece of 80s cheese off of the Wild Orchid soundtrack. Goofy but fun.

Snow and Tape Delayed

Friday, February 19th, 2010

Hey look, it’s music from a weird soundtrack! Awesome, right?

Married To The Mob Motion Picture Soundtrack
Married To The Mob was a 1988 film directed by Johnathan Demme, who is probably best known for his 1991 film The Silence of The Lambs. Dude has good musical pedigree though, he directed the Talking Heads’ Stop Making Sense in 1984 and the video New Order’s “The Perfect Kiss”. He also directed Caged Heat, the seminal women in prison film! That’s right, the dude who gave us Philadelphia and Beloved also gave us Caged Heat. God bless you Roger Corman.

This is not the complete soundtrack. I am excluding “Jump In The River” by Sinead O’Connor and “Too Far Gone” by The Feelies as both those tracks are easily available on albums released by both artists. A version of “Bizarre Love Triangle” is also on the soundtrack, but I’m 90 percent sure it’s the 7” version, which if you really want you can get on iTunes (although I don’t see the point, the 12” version is so much better).

Chris Isaak – Suspicion of Love
As far as Chris Isaak songs go this is a pretty good track. I am not a very big fan of the dude.

Debbie Harry – Liar, Liar
The Castaways, a 60s garage rock band, did this song originally, but Debbie Harry’s version kicks ass. It’s very punk, and sounds like she’s channeling the The Ramones with it’s blitzing energy. It blows the original out of the water, although this…spirited performance…by them is pretty impressive.

Ziggy Marley and The Wailers – Time Bums
I’m not a fan of reggae so I will say nothing about this one. Not bad but not my thing.

Tom Tom Club – Devil Does Your Dog Bite?
Ah, Tom Tom Club, are you capable of creating a song that I just like? Either you craft pop masterpieces like Wordy Rappinghood or Genius of Love or songs that grate on my very last nerve like “Man With The Four Way Hips” or this.

Q Lazzarus – Goodbye Horses
Ah yes, Goodbye Horses, one of the most memorable, and rarest tracks of the 80s. I’ve posted this track before, but never this version, which is the shortest available I believe. So if you want your “tuck” mental pictures in and out as quick as possible this is the take for you.

The Voodooist Corporation – Queen of Voudou
Okay, a few questions on this one. Firstly, what language are these guys singing in? Secondly, who are these guys? I can find NOTHING on this group and as far as I can tell this was their only release ever. It’s not a bad song, really rhythm heavy. I have no idea why they decided to spell voodoo “voudou” so any tips on that would help as well. So many questions…

Brian Eno – You Don’t Miss Your Water
And the album closes with another cover, this one was originally a Stax track by William Bell. I’m not familiar with the original version aside from just looking it up on YouTube 10 minutes ago, but I enjoy this version as well, synthpop meets classic soul. Synth-soul. Hey, someone should jump on that shit.

SnoMos

Friday, February 12th, 2010

Snow, I’m sick of it. Seriously it’s all like “hey look at me, I’m snow.” Fucker.

Selections from Dogs In Space
No relation to Pigs In Space. Yeah I know, I was bummed too.

Dogs In Space is a 1986 Australian film that I know very little about, what little I know I gleamed from this review. So just read that so I can save myself the time of summarizing the film. It was directed by a dude named Richard Lowenstein, and he was apparently a close friend of Michael Hutchence, as he directed a few INXS videos and cast Hutchence in this film as the lead. This movie is one of three that Michael starred in, the other two being Roger Corman’s 1990 version of Frankenstein and a 1999 flick with the charming title Limp. He’s probably the only cast member who is at all recognizable to American audiences, nearly everyone else in the movie either went on to nothing or Aussie TV.

After reading a bit about the flick I really want to see it, as it’s directly related to two of my biggest interests, new wave music and Australian cinema (watch Not Quite Hollywood by the way, amazing documentary about Ozploitation). It’s not available in the states at the moment, but region-free DVD players are a wonderful thing, so hopefully I’ll get a copy soon.

Dogs In Space has a weird-ass soundtrack, comprised mostly of Australian artists. Tracks by Iggy Pop, Brian Eno and Gang Of Four are also included for some reason, but none of those songs are rare, so I’m not including them here. But for the rest…

Ollie Olson – Win/Lose
Good song, not great, but a solid new wave effort. Continuing the six degrees to Hutchence theme, Olson formed a band with the INXS frontman in 1989 called Max Q, but they only had one release and never really caught on outside of Australia.

The Marching Girls – True Love
Someone likes Phil Spector. Apparently these guys were originally called The Scavengers, and were New Zealand’s answer/rip-off to The Sex Pistols. They broke up and one of them went on to form Dead Can Dance. Wow. That’s…random.

Boys Next Door – Shivers
This song is pretty fucking awesome – which makes sense since Boys Next Door is an early incarnation of The Birthday Party, which was Nick Cave’s first band. This album is on the sole album they released under the Boys Next Door name, but it’s not in print in the states at the moment, so I’m going to let it slide. Besides, “My baby’s so vain that she’s almost a mirror” is the best fucking lyric ever.

Primitive Calculators – Pumping Ugly Muscle
Horrible song title, worse band name, shit song. Random yelling and grunting for five fucking minutes. Enjoy. Someone gave them a hell of a wiki though, so maybe their other stuff is better. This track is just freaking annoying.

Thrush & The Cunts – Diseases
Classy band name. Alright song.

Marie Hoy & Friends – Shivers
This is a cover of the Boys Next Door song that is also on the album. I guess it must play a big part in the movie. Still, it’s a great song and this version is just as good as the original.

Michael Hutchence
Dogs In Space
Golf Course
The Green Dragon
Rooms For The Memory
Now for the main course. Hutchence contributes four tracks to the soundtrack, none of which sound anything like each other, or INXS for that matter. “Dogs In Space” is fast-paced punk rocker that kicks ass, “Golf Course” is a dancey new wave track (which also kicks ass) and “Rooms For The Memory” is a ballad that features Hutchence trying his damnedest to sound like David Bowie and almost succeeding (and kicking ass).

“The Green Dragon” isn’t a song at all, but a bit of dialogue from the film. However, all of these (even the dialogue part) are really freaking good, as if you needed more evidence that the dude was a one-of-a-kind talent that left us far too fucking soon. Sidenote: buy Elegantly Wasted, INXS’ last album with Hutchence. It’s stellar and the title track is absolutely bitchin’.

Highlights From The Light Of Day

Wednesday, June 10th, 2009

Light Of Day was a movie that came out in 1987 starring Joan Jett and Michael J. Fox as two musicians struggling to make it in the tough, no-holds-barred world of the Cleveland bar scene. It was a box-office dud that went nowhere and is remembered now more for its (out-of-print) soundtrack and that Trent Reznor is in one scene for about two seconds.

While the soundtrack itself is out of print, most of the songs on it were either from other albums to begin with or have since been included on other albums, so I’m not featuring the entire album, only some highlights that are still hard-to-find, as well as the title track, which is just awesome.

The Barbusters
Light Of Day
It’s All Coming Down Tonight
Rude Mood
All three of these tracks are credited to The Barbusters, which was the band in the film. “Light Of Day” is the stand-out, which makes sense since Bruce Springsteen wrote the tune. “It’s All Coming Down Tonight” is kind of meh, while “Rude Mood” is an instrumental blues song and a cover to boot, the original being by Stevie Ray Vaughan.

The Hunzz -Rabbit’s Got The Gun
Now, I’ve never seen Light Of Day, but I’m assuming that The Hunnz is a band that Joan Jett joins later in the movie, since she sings on this track too. The Hunnz are actually a band called Joined Forces, but I don’t know anything else about them.

Michael J. Fox – You Got No Place To Go
That’s right, Michael J. Fox decided to perform a song solo for the movie. It’s…not bad, but Fox’s vocals are about as strained as can possibly be for this one.

Rick Cox, Chas Smith, Jon C. Clarke & Michael Boddicker – Elegy
This is a quiet instrumental number that I’m betting closed out the film. It’s very minimal and I’m kind of shocked that it took four people to record it. Of those four the only one I recognize is Boddicker, he’s probably known to nerds as the composer of the Buckaroo Bonzai theme. He also is a session musician and has worked with Michael Jackson in the past.

In case you’re wondering the other tracks from the soundtrack were:
The Barbusters (Joan Jett) – This Means War
The Fabulous Thunderbirds – Twist It Off
Ian Hunter – Cleveland Rocks (Live)
Dave Edmunds – Stay With Me Tonight
Bon Jovi – Only Lonely

Get the live version of “Cleveland Rocks”, it’s bitchin’.

I Don’t The Twits and the Twits Don’t Like Me

Friday, May 29th, 2009

I’m pretty much done whining about the Twits. There’s only so much yelling you can do to the deaf. They’re obviously oblivious to their idiocy. I called one “an example of everything wrong with the Internet” and he said “thank you, that is a hell of a responsibility.”

Wait, what…that doesn’t even make any fucking sense! There’s no responsibility in being an example you idiot. You can be an example of why you shouldn’t smoke crack, that doesn’t carry any responsibility with it. Jesus Christ. I can’t debate/argue with that! I might as well retort with “Vanilla monkey sky flower!” It would make just as much sense, what’s the point. And complaining about attention whores is a futile endeavor since that’s what they want. It is sad that I haven’t become accustomed to the rampant vitriol and idiocy that dominates the Internet though.

Anyways, I promised two soundtracks tonight, but one of the albums sounds like shit and is going to take some time to clean up. So I grabbed something that is relevant to today’s events instead.

Marilyn Manson
The Horrible People
The Not-So-Beautiful People
Suicide Is Painless
These songs are doubly relevant considering my earlier post today was all about Trent Reznor and horrible people, an triply relevant since Manson has a new album out. “Beautiful People” was always my favorite Manson song, even though at the time I was not a big Manson fan. I thought his shtick was a bit too much and even as a teen I could see he was pandering to an audience. Looking back though I kind of miss the days when he was popular, at least he was trying to make people think, even if it was for bullshit reasons. I’d rather take a billion Marylin Manson’s than one Shinedown or Hinder or whatever the fuck is on radio right now. These mixes are from a 10” vinyl picture disc. I’m including his cover of “Suicide Is Painless” (which is from the Blair Witch 2 soundtrack) as a fucking hint for certain people out there.

The Thing Original Motion Picture Soundtrack
This was another one of my holy grail soundtracks that I’ve been looking for since as long as I’ve been collecting soundtracks. I got it for five bucks last week. Good deal considering the CD is worth twenty times that. As far as I know The Thing is the only Carpenter film that wasn’t scored by him. Instead he got the legendary Ennio Morricone, the composer of classics like The Good The Bad and the Ugly, The Untouchables and Mission to Mars (okay they aren’t all classics). This score is excellent, a great example of music’s ability to create tension, shock and manipulate your emotions. Be warned though, excessive listening may result in nightmares of Wilford Brimley trying to kill you.

Blog With me if you Want to Live

Monday, May 11th, 2009

On May 21st Terminator Salvation comes out and I am stoked to a level that is kind of fucking terrifying, especially considering that I never even saw T3 all the way through. Maybe it’s because of the trailer, which features the best usage of NIN in the history of all things ever.

Strangely enough, the soundtracks to both T1 and T2 are out of print and go for huge buckage on Amazon and eBay. That’s insane. I know the rights to the Terminator films are kind of complicated, and I’m sure the soundtrack rights are even more so, but you think whomever owns the rights would figure out that there might be some major cash-in bucks to made with the original soundtracks. Paying $125 for one on Amazon is a little nuts.

Now, I don’t have the definite edition, which features the complete score, but I do have the original version, which features the pop songs (which are NOT on the definite edition) so it’s a trade-off I guess.

So, without further ado…

Brad Fiedel – The Terminator Score
The Terminator Theme
Terminator Arrival
Tunnel Chase
Love Scene
Future Remembered
Factory Chase
The Terminator score is a work of synthesized art, barren and brilliant, perfectly matching the stark and brutal tone of the film. Brad Fiedel was the composer and performer of the piece (save for some electronic violin) and its probably his best-known work. Aside from the first two Terminator films he also did the music for both Fright Night films, Wes Craven’s Serpent and the Rainbow, and the Jodie Foster drama The Accused (one of the best movies you should never see). In the nineties he hooked up with Cameron again for True Lies and quickly after that did the score for the abomination known as Johnny Mnemonic (one of the worst moves you should see). He was passed for fucking Danny Elfman for the new Salvation, which is a damned shame. This is one of the best synthesized scores ever, ranking right up there with the original Halloween and Wendy Carlos’ A Clockwork Orange. It’s not the best Arnold movie score however, which isn’t a knock on it as much as it is unapologetic praise for the score to Conan the Barbarian, which is probably one of the top five scores of all time.

Tahnee Cain And The Tryanglz
You Can’t Do That
Burnin’ In The Third Degree
Photoplay
Tahnee Cain is actually Tane McClure, a singer/actress whose work you have no doubt seen, especially if you like 80s/90s b-movies like Bikini Academy and Illicit Dreams 2. Her biggest roles were probably in Go and the Legally Blonde films as Elle’s mom. She’s 49 years old, damn hot and has a bitchin’ rack, no doubt thanks to Dr. 90210 (according to the IMDB she was on an episode of the show called “Thanks for the Mammaries”). Tane seems to be a relentless self-promoter, and has her own webpage and YouTube channel. She seems fairly tech-savvy, which means she’ll probably find this blog eventually, so if you’re reading this Tane and you’re pissed I put your songs up just email me and I’ll take them down! Don’t go Steve Winwood on me and DMCA my ass please!

Anyways, her songs, oh yeah. I don’t remember “You Can’t do That” from the film that well, but “Burnin’ in the Third Degree” is the song that’s playing when all hell breaks loose in Technoir and it’s a solid example of 80s synthpop/rock that holds up pretty damn well. Tane has some pipes on her. “Photoplay,” which is also in the Technoir scene I believe, is pretty good as well.

Jay Ferguson and 16mm
Pictures Of You
Jay Ferguson was in Spirit, a 60s/70s psychedelic band, but you’d never know it from this synthpop song, which sounds like something Michael Sembello would have record for a never-realized sequel to Flashdance. I don’t remember at which point this track pops up in the soundtrack either.

Linn Van Hek
Imtimacy
This is the song that Sarah Conner’s roomie is rocking out to before Arnold kills her. It’s by far the most experimental of the pop songs on the soundtrack, very post-punk/electronic sounding. I dig it. I can find next to nothing on Linn Van Hek though, other than the fact that this song actually got a 12” single release in Australia. Odd.

Lost Soundtrack Of Lost Angels On Lost Turntable Is Lost

Wednesday, May 6th, 2009

I’m going out on a limb and posting some stuff from a rare out-of-print soundtrack. The last time I did that I faced the wrath of Steve Winwood, hopefully that won’t be the case today.

The soundtrack in question the soundtrack to Lost Angels, a completely forgotten 80s flick with Donald Sutherland and Adam Horowitz, AKA Ad-Rock from the Beastie Boys. It was directed by Hugh Hudson, who blew his creative wad with his debut feature, the epic Chariots of Fire in 1981. He followed that up with the mediocre Greystroke: Legend Of Tarzan in 1984 and the “holy shit that was fucking awful” Revolution in 1985, a film that damn near killed Al Pacino’s career. After this flick he went on to do a film called My Life So Far a decade later and then I Dreamed Of Africa, a movie that nearly killed Kim Basigner’s career. Dude needs to stop making movies. Hell, maybe he has, I Dreamed of Africa was the dude’s last movie and that was nearly 10 years ago.

Anyways, despite Ad-Rock starring in Lost Angels, the soundtrack was Beastie-less and instead featured a weird combination of established and up-and-coming alternative acts. Album cuts by The Cure, the Pogues, Soul Asylum, Soundgarden and Toni Childs were all included, but since all of those songs are on easy-to-find records I’m not including them here (check out a tracklsting at Allmusic. Instead I’m only focusing on the stuff that’s still pretty hard to find, such as…

The Happy Mondays – Do It Better
Ah The Happy Mondays, the band that bankrupt Factory Records and proved that while acid and ecstasy are a-okay when it comes to writing acid house inspired rock, angel dust and crack certainly are not. “Do It Better” is certainly not a rarity by any stretch of the means, it appeared on the band’s sophomore album Bummed, but this version did not. In fact, I don’t know the story behind this version of the song at all, which I think was exclusive to this soundtrack. If anyone has additional information on it I would be grateful.

Apollo Smile – Let’s Rock
Speaking of wanting additional information. What the fuck happened to Apollo Smile? Does anyone out there remember this chick? She was the poster child for the self-promotion, basically willing herself into record contract and a TV host gig on Sci-Fi Channel by basically proclaiming herself to be a “live-action anime girl” (whatever that means). If you’re a video game nerd you probably recognize her voice as the voice of Ulala from the Space Channel 5 games. Was she a prefabricated creation with little-to-no depth? Possibly. Was she hot as hell and super-cool in a silly nineties kind of way? Definitely! So what the fuck happened to her? A quick search for her online finds that her official site has vanished and all that remains are some embarrassing late-90s fansites that haven’t been updated in a decade. I’m not the only person who has pondered this, check out this article (and this one) for a little more information/wondering. Hey Apollo are you out there? Want to do an interview? This tune, which samples some Led Zep, it totally awesome.

Raheem – Self Preservation
Speaking of Led Zeppelin samples, this rap track from Raheem of the Ghetto Boys samples “Whole Lotta Love.” But the no-doubt illegal sampling doesn’t stop there, as this track aslo lifts from Hendrix’s “Purple Haze.” Two classic rock riffs for the price of one, done well and in an original way. Hey Kid Rock, pay attention!

The Royal Court Of China – Love Long Gone
The Royal Court of China, what an awful name for a band from Nashville. Mediocre tune that I’m including just to be a completist.

John Williams and Wayne Shorter – Lost Angles Theme
John Williams is an Academy-Award Winning composer who gave us the themes to Jaws, ET, Star Wars and dozens of other classic films. Wayne Shorter is a legendary jazz saxophonist from the 1960s. Together they created this utterly forgettable piece of music for a movie starring a Beastie Boy. The late 80s were really weird man.

Dreaming Of Tangerines In Space

Wednesday, April 22nd, 2009

Haven’t gone through all the links yet, but I’ve already discovered some pretty sweet ones thanks to you people. There are so many good sites out there but for every quality blog there are 50 that are pure shite, so thanks everyone for acting as my filter. Now here’s some music no one will want as a reward.

FM – Black Noise
A great Canadian rock trio that specializes in space-themed prog. Rush? Fuck no! I’m talking about FM! FM is awesome, well at least this album is, I haven’t been able to find anything else by the group. How awesome is FM you ask? Well, for starters they don’t have a guitar player! That’s right motherfuckers, they rock it with glockenspiels, mandolins and electric violins! Need more proof? One of their early members was a guy called Nash the Slash, and look at him! Black Noise is all sci-fi insanity, with amazing song titles like “Slaughter In Robot Village,” “Dialing For Dhrama” and “Phasors On Stun.” If Rush is too low key and subtle for you then FM is your band. Much better lead singer too – although that’s not saying much when your comparison point is Geddy Lee. According to Wikipedia (which is always right) Black Noise is in print, but I can’t find a copy new anywhere – only overpriced and used. So its hard enough to find for me to justify putting the whole thing up.

Flashpoint – Original Motion Picture Soundtrack
Treat Williams and Kris Kristofferson find a wrecked Jeep in the desert that had a dead body, a rifle and a shitload of money. The dead dude is the guy who killed Kennedy and the money was his reward. So of course Kirstofferson and Williams try to keep the money. Sounds like the best movie ever made doesn’t it? But wait, Rip Torn is in it! It IS the best movie ever made. Need further proof? Tangerine Dream provided the soundtrack, well most of the soundtrack, the title track is by a band called The Gems and it has to be one of the worst pieces of shit ever put to vinyl. This is another one of Tangerine Dream’s out-of-print and overlooked 80s soundtracks to a movie no one ever heard of, and is worth a listen if you like them. The opening track is especially good.

Super Ultra Rare Bizarre Soundtrack Day 1

Wednesday, May 14th, 2008

Hearts Of Fire was the third movie to feature Bob Dylan in an acting role. The first was the well-known Sam Peckinpah western Pat Garrett And Billy The Kid and the second was a rarely seen four-hour film directed by Dylan called Renaldo And Clara which came out in 1978. Hearts Of Fire came out in 1987 and was not well liked by just about anyone. Critics hated it, audiences avoided it, and Bob Dylan was so upset with it that he didn’t act again until 2003’s Masked And Anonymous (it must have taken him that long to find another movie that would be as hated as Hearts Of Fire). Some people claim that the movie was so bad that it killed the director Richard Marquad – who previously directed Return Of The Jedi and the thriller Jagged Edge. Still wondering how bad the movie is? It was written by Joe “Showgirls” Eszterhas, I think that says it all.

Anyways, in addition to old Bobby D the movie also stars a chick by the name of Fiona (not Apple) and Rupert Everett (yes…that Rupert Everett). I’ve never seen the flick so I can’t say that much about it, but from what I’ve read it’s your typical two guys-one girl story, with the two guys being Bob Dylan and Rupert Everett. With choices like that the girl is better off alone.

The soundtrack to Hearts Of Fire was just as panned as the movie, but in retrospect is worth mentioning because it features three exclusive tracks by Bob Dylan. It also features Rupert Everett “singing” but more on that later.

Fiona
Hearts Of Fire
I’m In It For Love
Hair Of The Dog (That Bit You)
The Nights We Spent On Earth
Let The Good Times Roll
So the producers of Hearts Of Fire somehow con one of the greatest signer/songwriters of all-time to star in their film and when the time came to release the soundtrack they throw him to the side and give this unknown babe center stage. Don’t get me wrong, Fiona has an alright voice and all, but she’s not Dylan. Of course, considering how bad Dylan was throughout most of the 80s that might not be true after all. These are good 80s pop-rock songs, completely harmless and disposable.

Bob Dylan
The Usual
Night After Night
Had A Dream About You, Baby
These are the real gems of the album, not in terms of quality mind you, but in terms of rarity. While an alternate version of “Had A Dream About You, Baby” appeared on Dylan’s 1988 suckstorm of a record Down In The Groove. “The Usual” is a John Hiatt cover and “Night After Night” is a Dylan original that’s never seen the light of day since its inclusion on this soundtrack. Because of these rare Dylan songs this soundtrack goes for quite a bit online, but anyone paying over 20 bucks for these so-so Dylan tracks is crazier than he ever was.

Rupert Everett
Tainted Love
In My Heart
However, sixty bucks is a small price to pay to hear Rupert “Everyone’s favorite gay best friend” Everett try to sing 80s pop songs. “In My Heart” is forgettable crap, what’s really worth listening here is his insanely-awful cover of “Tainted Love.” Everett can’t sing at all. Seriously, it’s really really bad. It would probably be the worst cover of “Tainted Love” if it wasn’t for the fact that everyone from Marylin Manson to The Pussycat Dolls have taken turns butchering it. I’d love to see the context in which this song is presented in the movie. I’m sure it involves Everett trying to woo Fiona away from Dylan in some dark smokey dive bar outside of London or some shit like that.

Anyways, um enjoy? These tracks aren’t the best in the world, but they are interesting so check them out.

I’ll have more rare soundtracks (including one with more rare Dylan – and some that are actually good!!) later this week.