Archive for the ‘U2’ Category

Mistaken U2 Remixes and More

Tuesday, June 9th, 2015

I took a week off work to recover from my excursion to America and that gave me time to go on an honest to goodness record recording bender, something I don’t think I’ve really done since I moved here. Felt good to sit in front of my computer all day and just listen to one 12″ single after another and then play a video game for three hours in a row. I need to dedicate one day a month to being a lazy anti-social bastard. I think it’s good for my psyche.

No more than one day though, I can’t spend that much time in my own head anymore without getting really upset about some of the stupid shit my head thinks up. My head is really stupid FYI.

Oh, speaking of my stupid head, I’m cataloging every version of every Madonna single. Check that out if you suffer from 80s remix OCD.

U2
Vertigo (Jacknife Lee 12″)
Vertigo (Jacknife Lee 7″)
Vertigo (Jacknife Lee 12″ Instrumental)
I’m gonna be real here and admit I bought this single because I mis-remembered “Vertigo” (a song I am impartial to) for “Elevation” (probably one of the few U2 songs I actually love. My stupidity is your gain I suppose! Enjoy – if you’re into this kind of thing.

Utah Saints
I Want You (New Orleans Edit)
What Can You Do For Me (Drill Mix)
What Can You Do For Me (Hard Mix)
What Can You Do For Me (Momo Beats)
What Can You Do For Me (Klub Mix)
No, Utah Saints, what can you do for me? I mean, I give and I give and I give and I get nothing in return. No love, no respect, nothing. You just won’t look away from your samplers for one minute and love me goddammit.

I don’t know what brought that on. Probably the fact that I have absolutely nothing to say about these remixes, which I actually do like quite a bit by the way. I should write more accusatory diatribes inspired by song titles.

No, you asshole, today is not the greatest day of them all, how dare you…

Okay maybe not.

Patrick Cowley
Megaton Man (Remix)
There are many different versions of this excellent electronic dance track, and I don’t know if this remix has an official name. I got it off of a French 12″ single, and I know it’s different than the version on Cowley’s album of the same name, and it’s also not the same version that’s on various Cowley or Megatone Records compilations, the running times don’t match up. Regardless, any version of this one is a good version, and worth hearing. It’s so unlike any disco that was coming out at the time, a perfect halfway point between the burgeoning electronic dance music of the late-70s and the synthpop that would dominate the better part of the 80s. No wonder the man was such an influence on acts like Erasure and Pet Shop Boys.

I’m the man in the box, buried in my killer beats dawg.

Friday, October 12th, 2012

I’ll be adding a bunch of singles and albums to my sale soon, so if you haven’t checked that page out, please do.

Okay, now that I have that out of the way, who wants to hear some incredibly stupid remixes?

I briefly touched upon this a few days ago, but I recently bought a metric crapton (that’s a lot) of DJ Mix singles. These are special 12″ singles that are sold to DJs only, usually via a subscription service, and they feature special mixes that are never made available anywhere else. Sometimes they’re unofficial bootlegs, other times they’re legit. Often it’s hard to tell.

Tonight’s mixes are from a 12″ single called Rock ‘n’ Beat Turbo 4. As if the name didn’t make it obvious enough, these are dance remixes of rock songs. Actually, if I wanted to get specific and accurate, they’re more just edits or mixes than full on remixes. A remix typically implies that the track was altered at the base level, and that the mixer in question had access to the master recordings or even recorded new material to interpolate into the original song. Most of these just extend the original songs’ breakdown and instrumental sections while throwing in some chorus effects and extra beats (hence that Rock ‘n’ Beat title). It’s all really weird and goofy and while a lot of the mixes are just “lets loop shit to make it longer” I find them all fascinating nonetheless, if for track selection alone, so let’s get into it.

U2
Mysterious Ways (Beat Box Mix)
I hate U2 more than the Thompson Twins, so I got nothing here. I think this is just a small re-edit though.

Alice In Chains
Man In the Box (Tore Up From The Floor Up Mix)
Okay, to start; this remix of “Man In The Box” is seven and a half minutes long. SEVEN AND A HALF MINUTES LONG! That is insane. How does one make “Man In The Box” seven and a half minutes long? Well, for starters you take the opening bars and repeat them about five times longer than they were in the original, then you do the same for the closing bars as well. Then you take the rest and loop the shit out it, add some extra drum beats and then pat yourself on the back for turning a grunge song about addiction and homelessness into a dance tune for the clubs.

Fuck the 90s were weird.

Counting Crows
Mr. Jones (The Sick Mix)
I never in a million remixes thought that I’d be deconstructing a Counting Crows dance mix on this blog but here it goes. Much like the “Man In The Box” mix this edit of “Counting Crows” expands the original song to a club-friendly six minutes mostly just by extending the opening and closing measures. This one is a little more obviously remixed though, thanks to the very apparent drum beat that is pasted in out of nowhere.

90s. Weird.

Melissa Etheridge
I’m The Only One (The Blue Mix)
Eight minutes. That’s how long they stretch this one out. Eight Minutes.  But hey, if you like Melissa Etheridge then that’s just eight minutes of awesome.

John Mellencamp
Wild Night (Maple Tree Mix)
Okay, I’ll be honest, I haven’t heard this song in 10 years and I’m not going to revisit the single version now. Based on my recollection of it, I don’t hear much of a difference here.

Bachman Turner Overdrive
Takin’ Care Of Business (Rippin’ Mix) 
This version of “Takin’ Care Of Business” incorporates a sample from Afrika Baambaataa’s “Planet Rock.”

Let that sink in before you listen to it.

My Morning Sun will Self-Destruct in 5 Seconds.

Thursday, April 8th, 2010

Fucking weather! It’s 84 today and it’s going to be 45 on Friday. My nose is going to fall off.

But hey, music!

Adam Clayton & Larry Mullen
Mission: Impossible Theme (Mission Accomplished) (Dave Clarke Remix)
Mission: Impossible Theme (Mission Accomplished)
Theme From Mission: Impossible (Junior’s Hard Mix)
Theme From Mission: Impossible (Guru Mix)
Theme From Mission: Impossible (Junior’s Hard Mix – Edit)
Theme From Mission: Impossible (Tribal Beats)

I would have loved to have been a fly on the wall for this meeting:

Executive 1: “Hey everyone, we got the two guys from U2 to record the new Mission: Impossible Theme!”
Executive 2: “Wow! We got Bono and The Edge?”
Executive 1: “No…the other two.”
Executive 2: “You’re fired.”

That being said, this song is probably one of five U2-related songs recorded since1996 that I haven’t fucking hated with a passion. These remixes of the theme song from the Tom Cruise monstrosity were taken from a 12” single.

New Order
True Faith (Morel’s Extra Dub)
True Faith (Philip Steir Dub)
True Faith (Morel’s Pink Noise Club Mix)
True Faith (Philip Steir Club Mix)
True Faith (Morel’s Calling Shifty Dub)

More New Order that I didn’t have before! That’s amazing. Twice in a month! Even more amazing is that when I picked up this 2×12” promo last week I actually recognized these two remixers by name. Morel is an amazing remixer, and his mixes for the Pet Shop Boys and Depeche Mode are all must-listens. He’s also a solo artist, and his 2008 album The Death of a Paperboy was…well…kinda crap. But hey, he has the remixes going for him, which is nice. Philip Steir is also an accomplished remix artist; he did that bitchin’ remix of Steppenwolf’s “Magic Carpet Ride” that was on the soundtrack to Go. But anyways, all of these mixes are pretty damn good. It doesn’t hurt that True Faith has one of the catchiest choruses of all time.