Archive for March, 2010

Songs About Partying and Responsible Driving

Friday, March 26th, 2010

I am in an excellent mood! That’s right. Boo-yah! Bet you didn’t see that coming! Let’s celebrate with two of the happiest songs of all time.

Cyndi Lauper
Hey Now (Girls Just Want To Have Fun) (Junior’s Sound Factory Mix)
Hey Now (Girls Just Want To Have Fun) (Techno Main Mix)
Hey Now (Girls Just Want To Have Fun) (Straight Up Pass)
Hey Now (Girls Just Want To Have Fun) (Factory Dub)
Hey Now (Girls Just Want To Have Fun) (Techno Dub)

I love Cyndi. She was probably my first crush…which explains a lot. It’s not fair that she vanished into B-level oblivion, reduced to reality TV shows. Terri Nunn’s appearance on RuPaul’s Drag Race got me hooked on that show, which is something I thought would never happen. But the same will never happen for Celebrity Apprentice, even thoughCyndi Lauper is a contestant at the moment. The only way I would ever watch that show is if I knew it would end with Cyndi not only winning the competition but celebrating by ripping off Donald’s fucking head and using it as a microphone whilst singing “Money Changes Everything.” Then she’d drop kick it into the audience and rock out with She-Bop. But that’s (probably) not going to happen huh?

These remixes are of the “Hey Now” version of the song, which first appeared on her greatest hits compilation Twelve Deadly Cyns…and Then Some. That version is entirely different than the original, and these remixes make it even more out there, changing the vibe of the album to a late-80s/early-90s house one. It’s pretty rad in my opinion. Although I’m sure my roommate is concerned by my consistent rocking out to it.

Geggy Tah
Whoever You Are (Hallucination’s Sunday Driver Mix)
Whoever You Are (The Vagabond Mix)
Whoever You Are (Hallucination’s Drive-By Dub)
Whoever You Are (Hallucination’s Sunday Driver Instrumental)

This is the song from that Mercedes commercial from a few years back. You know it. It’s the “All I wanna do is to thank you even though I don’t know who you are/you let me change lanes while I was driving in my car.” And with that typed lyric this song you have this song stuck in your head and I’ve ruined your weekend. You’re welcome.

Sidenote: As much as I love this little ditty I think the fact that there are four remixes of it serves as definitive proof that the 90s remix craze was a little excessive.

Sidenote to the sidenote: For those who care it’s worth noting that a couple of these mixes are by Rabbit In The Moon.

Return of Trip The Moog Fantastic

Wednesday, March 24th, 2010

Past few posts have been nothing but 80s/90s gold. Well, now for something COMPLETELY different. This is the kind of shit I listen to when I really want to forget about the real world.

Marty Gold
Moog Plays The Beatles
Okay, before I get to the wackiness involved with this I have to make a confession. I stole these MP3s.

Well, not really. I do own this album. But when I recorded it way back when it was on my shitty turntable that spun too fast. I didn’t want to post those versions, but I also didn’t want to dig the LP out of my massive stacks of unorganized records and re-record it either. Luckily an awesome blog called 36 15 Moog posted it and the author of that blog kindly gave me permission to steal from him. I recommend everyone check out that AMAZING blog if you want even more Moogy madness. His recording equipment is amazing because this copy sounds crystal fucking clear. Dude gets props in my book. I just added that blog (and other outstanding blogs by the same guy) to my blogroll. Check them out.

Now, with that out of the way we can discuss this amazingly stupid record. It’s an early entry in the Moog craze, coming out in 1969, just a year after Wendy Carlos’ amazing Switched On Bach started the craze, and it’s particularly sly in combining the Moog mania with the tail end of Beatlemania. As Moog novelty records go it’s fairly good if not at all experimental or adventurous. I have worse Moog records for sure though, it’s hard to make “Eleanor Rigby” unlistenable after all.

The Electronic Concept Orchestra
Moog Groove
I know very little about this “group.” I use quotes because I’m pretty damn certain it was most likely just a couple dudes with a Moog, a drumkit and a dream. The back cover of the record (which you can read here) is one of many Moog album linear notes to go off on the “new sounds” that the Moog could create. That seemed to be a fascination with the Moog when it first came out. Everyone wanted to hear a “new sound.” I suppose that makes sense, and you could probably mirror that fascination with the auto-tune/robovoice of today. That being said, Moog Groove isn’t really packed with “new sounds” as much as it is packed with old sounds done in a slightly new way. I can’t imagine anyone from 1969 buying this record and upon first listen proclaiming “My god! I’ve never heard a sound like this before! My ears, they are awoken from a slumber that I didn’t even know they were in!”

The selection is a little weak as well. Like every single fucking Moog album ever made it includes a version of “Aquarius” from Hair, as well as its own fair share of Beatles covers. The take on “Grazing In The Grass” is pretty fun though. It’s also fun to compare the two version of Penny Lane and Hey Jude on both of these albums to see how different artists used the Moog. While Marty Gold used a simple guitar-like sound for the melody of “Penny Lane” The ECO went for a faux-vocal approach, which fits the song much better in my opinion. Both are stupid fun regardless. Enjoy and I’ll probably have some more “normal” music up later this week. In the mean time if you want to hear some amazing Moog-based music check out this post. If you want to hear some hysterically odd Moog tunes go here. You should check out this other post if you want to here some pre-Moog electronica. And click at your own risk here if you’re retarded and horny for even more Moog.

Confusion!!! And other stuff.

Tuesday, March 23rd, 2010

Ah spring, fresh air, sunny days…and fucking relentless dog barking thanks to my shitty neighbors leaving their poor dogs out alone all day.

A quick mini-rant. I’m trying to be more positive nowadays so it’s not going to be especially vitriolic. Sorry guys, being an angry prick 24/7 wasn’t good for my health.

I kind of made a big deal earlier this year about some troll-like comments the blog was getting. I don’t mind being corrected for my mistakes, I don’t even mind a bit of snarky attitude. But getting consistently harassed for either incredibly small mistakes or for things that aren’t actually mistakes at all is really annoying and disheartening. I have real problems that I’m dealing with right now that depress me enough, I don’t need some worthless punk who would never dare talk to me that way to my face giving me grief over the internet.

So anyways, starting now needlessly vile, mean-spirited or hate-filled comments will no longer be approved by yours truly. That doesn’t mean you can’t tell me I suck, please tell me I suck. But tell me WHY I suck and do it in an intelligent manner.

Funny note about this whole thing: I warned one offending commenter that if he didn’t clean up his act I would no longer approve his comments. He of course didn’t and now he’s banned. I said as much in the comment thread and he then commented again, saying that my readers reading this comment would know I’m a coward for not publishing it…

There’s a logic flaw there. I’ll leave it to you to figure out.

And besides, if that somehow makes me a coward fine. I’d rather be a happy coward than an angry brave idiot arguing over bullshit that doesn’t matter in the first place.

New Order
Confusion (Alternative Mix)
Confusion (Essential Mix)
Confusion (Trip 1-Ambient Confusion)
Confusion (Accapella)
Confusion (Con-om-fus-ars-ion Mix)
Confusion (Ooh-Wee Dub)

I now have over 20 New Order singles, in fact it may be a lot more than that. Those are just the ones I’ve recorded to my computer. I really need to start a list of all the damn records I own. My collection isn’t even in alphabetical order aside from my Depeche Mode collection, which has its own separate section which I worship everyday. Aren’t there websites or something where you can catalog the shit you own? Are they any better than just writing up a big excel file?

These mixes of “Confusion” are odd. They aren’t from the original Factory single but instead from a 1990 single released by Minimal Records. I feel fairly confident in proclaiming these aren’t in print in any form. I also feel confident in proclaiming that “Con-om-fus-ars-ion Mix” is the most annoying thing I had to type all month.

Garbage
Push It (Victor Calderone Club Mix)
Push It (Victor Calderone Dub Mix)
Push It (Boom Boom Satellites Mix)

There is supposedly a new Garbage CD coming out this year. That makes me happy.

That third mix has a funny name unless you know that Boom Boom Satellites is actually the name of a band, a damn good band from Japan in fact. I actually saw Boom Boom Satellites live once. They opened for Moby in 1999 during his first tour in support of Play. They were amazing live but everything I’ve heard on CD just hasn’t compared for some reason.

Now yes, the Boom Boom Satellites mix is on the 2-disc version of Absolute Garbage, however, that version is actually an edit of this version that cuts about a minute or so out. This one is extra Boom Boom for your buck.

Yeah, sorry about that.

Actually, I Wish I Was A Little Bit Shorter

Sunday, March 21st, 2010

Weird combo of stuff for your Sunday listening pleasure.

Primal Scream
Come Together (Farley Mix)
Loaded (Farley Mix)
Loaded (Weatherall Mix)
Ramblin’ Rose (Live)

Man…I’m so mellow now I just…yeah…groovy.

I wish the Acid House scene would have hit bigger in America, especially the rock-oriented part of it. It’s a shame that neither Primal Scream nor The Stone Roses were able to parlay their beat-heavy rock freak-outs into American success, I guess we were too busy doing heroin at the time. Primal Scream’s “Come Together” is in my opinion the second-best song to carry that name (the first is Spiritualized version, and three is Soundgarden’s retarded cover of The Beatles’ original). “Loaded” is no doubt the best track ever to sample a Fonda as well. I just realized that’s my second Fonda family reference this year. Freaky.

These mixes are from a 12” single. Now, apparently I’m under increased scrutiny to get my sources/availability right so let me say that these songs were at one point available in America via various singles. However those are all out of print. Now there is a version of the Farley Mix on the US version of the album Screamadelica, but it’s considerably longer than this one, which must be a single edit. If I am wrong about any of this please correct me in a kind and respectful fashion and I’ll send you a cookie.

Skee-Lo
I Wish (Old School Dub)
I Wish (Concrete Jungle Mix)
I Wish (Mama’s Street Dub)
I Wish (Soulwax Mix)

I love this song. Love love love love it. I love singing along to it, especially since I’m a fucking giant and me saying “I wish I was a little bit taller” is funny to me and stupidly annoying to anyone else. The “Concrete Jungle” mix is really an odd one. It’s exactly what the name suggests, a mid-90s jungle mix complete with crazy-ass cut-up drums. This is a real, officially-released mix, not some white-label bootleg mash-up.

For that download the Soulwax mix, which splices in “Eye Of The Tiger” and The Breeders’ “Cannonball.” I didn’t get that from the same 12” that the other mixes are from, I found it on the interwebs ages ago. It is not the same version that appears on Soulwax’s excellent 2 Many Djs Part 2 album, that’s part of a mix and is considerably shorter than this one. Anyways, the previously mentioned 12” also had the “street” mix, which you can download on Amazon and iTunes so I’m not putting it here. You can also download a new “rock” version of “I Wish” but I wouldn’t recommend it.

Perpetual Blog

Wednesday, March 17th, 2010

Tonight’s post is made of win, full of epic, all that shit.

The Orb
Perpetual Dawn (Solar Flare Extended Mix)
Perpetual Dawn (Ultrabass II)
Perpetual Dawn (Ultrabass I)
Perpetual Dawn (Solar Youth Mix)
Star 6 & 7 8 9 (Phase II)

“Perpetual Dawn” is probably my least favorite track off of The Orb’s Adventure’s Beyond The Ultraworld. And before you ask, yes it’s because of the random “blahblabblah” vocals. It has ALWAYS bugged me it always will. However, it’s still an awesome tune and since some of these remixes downplay that little bit of vocal retardation, it’s a bit easier for me to get behind them than the original version. To the best of my knowledge the only one of these that you can go out and buy is the “Ultrabass II” mix, which is on the deluxe version of the aforementioned album. However, that version never came out in the states, so I’m gonna make an exception to my rule that I rarely go by anyways and post it. And if you like The Orb click here. Blue Room.

Kraftwerk
Robotnik (Kling Klang Extended Mix)
Robotronik (Kling Klang Mix)

Funny and totally random story. I used to be way into the Sonic games as a kid (I grew out of them after part three, which was good timing considering how much ass they are now). The Americanized name of the villain in that game is Dr. Robotnik, pronounced “Robot-Nik” I, in my infinite stupidity, pronounced it “Robo-tink” which sounds like some fucked up robotic sex toy. These two versions of “The Robots” are remixes of the version that is on their 1991 album The Mix, which was itself a remix. It’s confusing. Don’t think about it. Just listen to the German techno and be happy.

Saint Eitenne
Who Do You Think You Are (Strobelights & Platform Shoes Mix)
Who Do You Think You Are (Saturday Night Fever Dub)
Who Do You Think You Are (Nu Solution Mix)
Who Do You Think You Are (Tilt Dub)
Who Do You Think You Are (Quex-Rd)

I totally forgot I had these. Not only that, I totally forgot buying this 12” single, recording it, tagging the MP3s and adding them to my iTunes collection. I wasn’t even on drugs or drinking (I think) when I did all of that either. The only reason I found these tracks is because I recently bought more Saint Eitenne. I’m used to finding weird shit when I clean my room (old socks, a Spin magazine from 1999, my copy of Purple Rain on vinyl) but the fact that I can lose shit on my computer is a whole other level of disorganization that I’m almost a little bit proud of.

Oh, and these are good remixes, enjoy.

Chaka Mad!

Friday, March 12th, 2010

I lost power today, two of my fish decided it would be fun to swim into the filter (I don’t know how they knocked the arm off, must’ve been a suicide pact) and despite the fact that it hit the mid-60s today there’s still a mountain of black snow in front of my driveway that is like Ice-nine in its resistance to room temperature. And I don’t even have any good industrial music to post in response to this shitstorm. Grr. Maybe some bitchin’ jams will cheer me up.

Chaka Khan
I Feel For You (Remix)
I bought this 12” single on Tuesday, ever since then I have randomly been muttering “Chaka Khan, Chaka Khan.” Just now it occurred to me to google “Wrath of Chaka Khan” and I found this.

Okay, I’m happy now.

And just to stop all the hating haters who want to hate (yes, I’m aware of the stupidity of that statement), this specific remix is not the remix that is on Chaka Khan’s remix compilation.

P!nk
Get This Party Started/Sweet Dreams (Featuring Redman)
Get This Party Started (Remix) (Featuring Lady May)
Get The Party Started (Ernie’s All Night Anthem)
Get The Party Started (Pink Noise Disco Mix)

I really hate spelling Pink’s name with an exclamation point, but in order for my Last.fm stats to be 100% accurate it appears I have to do that from now on. Stupid OCD making me insaner. That first remix is totally bizarre, who thought to interpolate Sweet Dreams, a dark and disturbing new wave classic, with a super upbeat ode to rocking out? Odd. While the generically-titled “remix” lives up to its nothing name, “Ernie’s All Night Anthem” is a great slice of Hi-NRG house, and the “Disco Mix” certainly sounds like it could have been recorded in the late-70s/early-80s. It’s always amazing to me how much production work can change a song. All of these mixes are from the same 12” DJ promo single.

St. Etienne
Only Love Can Break Your Heart (Kenlou B-Boy Mix)
Only Love Can Break Your Heart (Masters At Work Dub)
Only Love Can Break Your Heart (A Mix In Two Halves)
Only Love Can Break Your Heart (Bonus Beats)

There’s a lot of talk as to why St. Etienne never broke through in America. Some blame their hard-to-define sound, others the state of dance music in the states. I honestly think it’s because their name is impossible to spell/pronounce. At least it is to me. These remixes of their debut single/Neil Young cover are all from a 12” single. They’re also all fairly awesome.

Let’s Get Subconscious

Wednesday, March 10th, 2010

FYI: Listening to a song that has the repeated line “Let’s get unconscious” when you’re struggling to stay awake to get work done is not advisable.

Sade
Smooth Operator (12” Version)
This crazy-long version of “Smooth Operator” is smooth as shit. You’ll be listening to it and think “damn, this shit is smooth” and “I wish I could operate in a fashion as smooth as this operator operates” or something. Some might say that this version of “Smooth Operator” is too smooth. That it’s sexy smoothness and subtle sexiness might slip you into a state of permanent smooth jazz euphoria that you could never escape from. Those people might be right! So you’ve been warned. I got this off of a 12” promo single and I don’t believe that this particular version has ever been released commercially. If I am wrong please correct me in a polite manner.

Dead Or Alive
Something In My House (Mortevicar Mix)
Something In My House (Flamenco Mix)
Something In My House (US Wipe Out Mix-Part 2)

I bought this single per request. That’s right. I didn’t even own this until someone asked me to buy it and record it for them. How does one get such preferential treatment? Well, being my boss sure as hell helps let me tell you. So if you really want a rare 80s remix posted here, hire me to write CD reviews. Total win-win for everyone involved. I work very cheap. This 12” single was requested specifically for the Mortevicar Mix, which features random creepy samples from The Exorcist. Shockingly, the Flamenco Mix is accurately-named, what with it’s excessive flamenco guitars. I don’t know what makes the final mix so “US” though, maybe us Americans like excessive vocal stuttering and guitar solos?

Madonna
Bedtime Story (Junior’s Sound Factory Mix)
Bedtime Story (Junior’s Sound Factory Dub)
Bedtime Story (Orbital Mix)
Bedtime Story (Junior’s Wet Dream Mix)

Hey, this is the Madonna song that Bjork (kinda) wrote. Which is definitely the explanation for why it was the strangest Madonna single until “American Life.” However, unlike “American Life”, this song doesn’t suck joy out of life. I know a woman who can recite, by memory, the entire rap of “American Life”. She’s pretty awesome in spite of this though and I try not to hold it against her. It’s difficult though. It’s hard to talk to someone who doesn’t have taste in high art like the soundtrack to Howard the Duck after all.

Anyways, stuff about this song: Like I said before, it was written by Bjork, but was supposedly re-written so many of her lyrics were removed or changed. I don’t know how much of that I believe, but I read it on the internet so it must be true! These remixes are pretty stellar. My favorite is the one by Orbital, but Junior’s mixes are quality as well. This single had a dub of the unfortunately titled “Wet Dream Mix” but it was scratched beyond repair. Sorry.

Sex & Blogs & Rhythm Sticks

Wednesday, March 3rd, 2010

Pay attention. This is important.

I just got served. No, not in the “oh snap!” way but in the DMCA way. In case you’re wondering it was the Married To The Mob soundtrack that got me busted. Just like last time I don’t know WHO sent the DMCA because Google is run by a bunch of shitbags who won’t let me read the DMCA that names me. For those of you keeping track at home this is the second DMCA notice I’ve been served with. I’m suspecting that if I get hit with another that this blog will be shut down by Google.

But don’t threat! Even if this specific blog goes AWOL Lost Turntable will not. I may have mentioned this before but I own lostturntable.com. So bookmark that. If this blog ever vanishes into the copyright void, you’ll know where to find me. Actually I’ll probably be making the leap to that site eventually regardless, the only thing that’s stopping me is my complete lack of HTML skills and my complete hatred for every single template I’ve ever seen. I do have a friend working on my new template (the lovely Anna Hegedus) but she’s busy and I’m busy, so it’s going slowly.

So I’m asking for help once more. If anyone out there thinks they can convert this template (with some minor tweaks that I have in mind) to WordPress, which is the blogging software I’ll be using on my new site, please email me. My email address is located on this page. If you can’t find it then you probably shouldn’t be working on my website. I can’t pay anyone who helps me, but I will repay you with music and Pittsburgh-based positive vibes.

Furthermore, long time readers of my blog may know that I tend to fulfill remix requests in the month of March since it marks my blog’s “birthday” (Four years this year! Holy shit!) but since I am seemingly under watch at the moment I don’t think that would be wise. However if you email me I might hook you up in one way or another. Just don’t go nuts. A while ago someone not only sent me a request, but it was epic in length and they had the gall to ask if I could re-record the tracks so they would sound better! Wanker.

Tonight’s post is a repost of old material however, since I’ve been getting swamped with comments and emails for most of these tracks.

Oh, and thanks everyone for the kind words. I needed that.

Ian Dury And The Blockheads
Hit Me With Your Rhythm Stick ’91 (The Flying Remix)
Hit Me With Your Rhythm Stick (Live)
Hit Me With Your Rhythm Stick (Disco Version)
Hit Me With Your Rhythm Stick (Paul Hardcastle Remix)
Sex & Drugs & Rock & Roll (Paul Hardcastle Remix)
Reasons To Be Cheerful (Paul Hardcastle Remix)
Wake Up (And Make Love To Me) (Paul Hardcastle Remix)
Really Glad You Came (Love Version)
Inspiration (Love Version)

Ian Dury is my hero. The man overcomes polio (and being in his mid-30s) to become one of the most WTF-worthy pop stars in history. If that story doesn’t scream “never give up” I don’t know what does. And I’ve said it before and I’ll say it again, “Hit Me With Your Rhythm Stick” is the greatest song ever written. This is every rare(ish) version of that classic I have, plus some other stuff. Do you want more Ian Dury? Well then click here. Also here. The later link leads to an all Stiff Records post I did a few years ago. The version of “Sex & Drugs & Rock & Roll” (retitled with an added “& Chaos” at the end) included there is balls out crazy, ending in a frantic climax that will totally make you want to fuck, do a line of coke and start a band all at the same time.

One more Ian Dury-related note, this for my UK peeps mostly. Anyone know when that movie about him is coming out on DVD, in any region? I have an all-region player so no matter where it comes out first that’s the one I’m buying.

Beats and Bitching

Tuesday, March 2nd, 2010

It’s amazing how just one dickface can bring down your entire day sometimes. I wake up in the morning and these are the first two comments I see awaiting approval:

“The “hilariously-titled and hard-to-find single edit form” of “Jesus Built My Hotrod” is NOT hard to find”

“Your misguided attempts at patting yourself on the back never fail to amaze and amuse me. “Spasticus Autisticus (version)” is neither “freakishly rare” nor was it “only ever released as the b-side to the single”. It was released on the first “Disco Not Disco” compilation, making it somewhat less rare than you’d like to believe.”

Sometimes little shit can set me off. This is one of those times.

Okay genius. Enlighten me. Where can one easily find the single edit of “Jesus Built My Hotrod?” Because it’s NOT on Psalm 69, it’s NOT on Box and it’s NOT on Rantology. What magical land of fairy dust and easily available singles are you finding it at?

As for the remix of “Spasticus,” you are correct, that is on the Disco Not Disco compilation, which is out of print in the states and in the UK and costs a fortune to buy now. So okay, at one point it was semi-easy to find. But not now. It’s one-time appearance on a now out-of-print compilation that nobody bought doesn’t exactly make it any easier to grab now does it?

Why does this shit piss me off? I don’t know. I don’t like the hate. Why bother with it? I mean, I get nice comments and those are cool and I appreciate them, but dickheads like this, they just get off on shitting in my cornflake and it’s a real downer. Especially since the little weasel wouldn’t even bother with giving a name. “Anonymous” is the signature of whiny cowards who spent too much time in front of the computer, alternating between message board trolling and marathon porn sessions.

If you really don’t like the shit I say or put up then hey, I got an idea, start your own damn MP3 blog where you can always be right and only put up super-ultra-omega rare bullshit. Or maybe you can KINDLY point out when you think I might have made a mistake, then get the benefit of being right but aren’t a jackass. It’s a win win. Of course, you have to be right first. Which in this case you are not.

Or just leave me the hell alone. Goober.

And I will never stop patting myself on the back. For I am truly spectacular.

Sven Väth
Harlequin – The Beauty And The Beast (Underworld Remix)
Harlequin – The Beauty And The Beast (Single Version)
Harlequin – The Beauty And The Beast (F.E.O.S. And The Beast Mix 1)
Harlequin – The Beauty And The Beast (Total Eclipse Mix)
Harlequin – The Beauty And The Beast (Underworld Alternative)
Harlequin – The Beauty And The Beast (C.J. Bolland Mix 2)
Harlequin – The Beauty And The Beast (Club Mix)
Harlequin – The Beauty And The Beast (F.E.O.S And The Beast Mix 2)

Yowza that’s a lot of title. I bought this 2×12” single for the Underworld and CJ Bolland mixes but I do have to say I was a little underwhelmed by the whole thing. I’ve been told that Väth has put out some killer trance in the past so I’ll have to give him another chance. But I’m just not feeling this that much. I’m sure someone will though so this portion of the post is for them.

Two Revolutions
Odyssey – NextGen
Total Science – Fractionz
Indica -Bypass
Alaska & Paradox – Two Thousand
Pariah – Sub Zero
Blame – Sphere (Seba Remix)

Now this is more my speed. These are all from a drum and bass compilation called Two Revolutions. I’m fairly certain that’s out of print but if I’m wrong oh exalted anonymous ones please forgive me. I’m an amateur level basshead, so I don’t want to go on too long about drum and bass lest I make an ass of myself but I’ll say a few things about this record.

Two Revolutions was released by a the excellent dnb label 720 Degrees a few years back on both vinyl and CD. Now the vinyl version I have is only a sampler of sorts and includes just these six tracks. The CD version has a whopping 22, however I’m fairly certain that’s a mix. These versions are complete and unmixed, so it’s a give and take. Less songs, but more of them.

A bit more on 720 Degrees. They’re a bitchin’ label that specializes in “future bound musicality” which I think is code for techstep and neurofunk drum and bass. I’m not going to try and explain those two sub-genres (describing drum and bass is a lot of work and it’s late), but the shorthand is that they’re more “sci-fi” sounding. Techstep also tends to be less abrasive and raw than traditional drum and bass, so it’s a bit easier to digest.

If you like this stuff check out this post which has some more stuff by 720 Degrees founder Blame. I also recommend Wormhole by Ed Rush & Optical. That record is fucking brilliant. I put that one up a while ago but now it’s available for download at Amazon so I took it down. Buy it! It’s only seven bucks. It’s a bit darker and harder than this stuff but still excellent and a great introduction to a unique style of drum and bass. Torque, also by Ed Rush & Optical, is brilliant as well.