Neil Young’s Dance Remixes

October 30th, 2015

I hope I’m not the only person who finds tonight’s music interesting.

Neil Young
Sample And Hold (Dance Remix)
Sample And Hold (Single Version)
Sample And Hold (LP Version)
Mr. Soul (Dance Remix)
You have no idea how happy I was to find this single.

Quick backstory (which I’ve covered multiple times here). In 1982 Neil Young released Trans. It was a radical departure for him, abandoning the rock style he was known and acclaimed for and replacing it with a strongly electronic/synthpop sound. Not only that, many of the songs found Young experimenting with a vocoder, which distorted his voice to near unrecognizable levels at times (as someone who has never been a fan of Young’s voice, I don’t consider this to be a bad thing).

It’s a brave, crazy and entirely original record (with a few amazing “traditional sounding” Young tracks too), but it was a massive bomb both critically and commercially. It also wound up being the first in a series of intentionally obtuse and experimental albums that led to Young being sued by his label at the time for releasing music that was too uncommerical.

The album was out of print forever. I even shared the entire thing here twice. But now it’s back in print digitally and I highly recommend buying it. The version on digital storefronts is the CD version, which is remixed and significantly altered when compared to the original LP mix.

I don’t know which came first, the CD mix or these single mixes for “Sample And Hold” and “Mr. Soul,” but it’s obvious that one influenced the other. All the changes that are present on these mixes are also present on the CD version. The guitars are muted, the cymbals are removed, and the beat is punched up to the front of the mix. Both just feel substantially more “electronic” in about every way you can imagine. The CD version of “Sample And Hold” is still the best though, largely because it’s a ridiculous eight minutes long.

Seriously, buy Trans. That album is nuts.

 

Posted in Neil Young, remixes | 4 Comments »

Prince’s Purple Sci-Fi Fantasy

October 18th, 2015

Ever have one of those nights where you’re sitting in a Japanese fast food curry shop in a suit with a pink tie, contemplating the significance of your life and the things you hold dear when you suddenly discover that the best-selling album of 1989 was Bobby Brown’s Don’t Be Cruel and that fact forces you to doubt everything you ever thought you knew about how you view the world?

No? Just me? Okay then.

Prince
Space (Universal Love Radio Remix)
Space (Universal Love Remix)
Space (Funky Stuff Remix)
Space (Acoustic Remix)
Space (Funky Stuff Dub)
Prince never fills me with doubt. He just fills me with funk. Okay, that came out wrong.

Space was a single off of the Come album, and I would be lying to you if I claimed to know anything about that record outside of what’s on the Wikipedia page. I really need to expand my Prince knowledge. I only own Purple Rain, 1999, a greatest hits and a shitload of singles. I’ve also bought his three most recent albums, two of which (PLECTRUMELCTRUM and HitnRun) are actually really fucking great. I recommend them.

This song is good. We need more intergalactic funk.

Liv Warfield
The Unexpected (Live At Blue Note Tokyo)
Speaking of Prince, Liv Warfield is a Prince protege. You can tell because the cover to her latest album, the amazing The Unexpected, has a purple tinge to it.

Seriously though, Liv is an amazingly powerful singer, and the fact that she’s failed to breakthrough at all is downright criminal. “The Unexpected” is an incredible tune (written by Prince), and this live version taken from the Japanese release of her album really showcases how damn amazing her voice is.

And if this track sounds familiar to you, it’s because Prince recorded his own version for the previously mentioned PLECTRUMELCTRUM album. His version is called “Wow,” which is funny as the chorus of the song is “you can call it the unexpected or you can call it wow.”

I guess she chose to call it unexpected. He chose to call it wow.

Posted in Liv Warfield, Prince | 2 Comments »

I Dream of Swiss/Japanese Synth-Pop Collaborations That Will Never Be

October 13th, 2015

I’m drinking from a tiny bottle of whiskey, which makes me feel even more giant than I already am. One day I’m just going to get wasted and walk around Tokyo whilst vocalizing the Godzilla theme.

Wait, I think that already happened.

Anyway, hey Halloween is coming up! And I actually have some spooky scary songs planned so stay tuned for that. In the meantime, here’s some synth-pop and hip-hop.

Depeche Mode
Suffer Well (Tiga Dub)
According to my relatively in-depth and well-organized cataloging system, I haven’t posted a Depeche Mode track on this site for over two years. That blows my mind. Used to be that this site could’ve been named “That MP3 Blog that Posts Erasure, Depeche Mode and New Order.” Eventually it just got hard to keep that up as A) Depeche Mode finally started releasing their old remixes digitally and B) Look, you seriously have no clue how much Depeche Mode I posted. It was a lot. Seriously.

I still have some honest-to-goodness rare Mode on this hard drive somewhere, maybe someday I’ll get around to posting it. This remix is from a 12″ single. It’s got a good beat.

Sir Mix-A-Lot
One Time’s Got No Case (Bass Mix)
One Time’s Got No Case (Instrumental)
I bought this last year when I was visiting my mom in Oregon. I think 90% of all Sir Mix-A-Lot records currently in circulation can be found in the Pacific Northwest. I like to imagine that Mix-A-Lot himself hawks some off to second-hand shops whenever he’s short on cash. Of course, that’s probably not often right now thanks to the mad “Anaconda” bucks he has to be pulling in.

I really hate that song. But the last time I ranted about that I got called a sexist racist. So let’s move on and discuss Swiss electronic music.

Yello
Live At The Roxy  N.Y. Dec ’83
I’m going to be real and admit that I know absolutely nothing about this. My knowledge of Yello is limited almost entirely to “Oh Yeah,” because even I can’t know everything about every electronic act from the early 80s. I’m sorry. Maybe once I’m done exhuming forgotten Japanese 80s music I’ll move onto Europe. I assume this is some sort of medley, but I really couldn’t tell you. It’s fucking weird though, I can say that much.

I really like it. Shit, does this mean I have to start buying Yello albums?

Hey did anyone ever do a Yellow Magic Orchestra/Yellow mash-up? The could’ve called it Yello Magic Orchestra. This shit writes itself. Someone combine “Behind The Mask” with “Oh Yeah.”

Posted in Depeche Mode, Sir Mix-A-Lot, Yello | 8 Comments »

The Moog Strikes Bach

September 27th, 2015

Wrote some whiny self-indulgent stuff on the other site. Go check it if you’re interested.

003

Hans Wurman – Moog Strikes Bach (Complete Album Download)
I’ve often shared Moog covers albums, and I think it’s something I’ll continue to do until I stop finding weird Moog covers albums.

There seem to be hundreds of these out there, many of which were released in the years immediately following the surprise runaway success of Wendy Carlos’ Switched On Bach.

At first taste, Moog Strikes Bach would appear to be an exceptionally derivative example of this trend. Shit, it even has Bach in the title. And while this album does owe the entirety of its existence to Hooked On Bach, there’s actually a lot to like here.

For starters, it’s not really a collection of Bach pieces, despite what the title says. There’s only one Bach composition on here. The majority of the album is actually Mozart, but I guess they couldn’t come up with a “funny” pun with his name. The Mozart stuff is good, but of all the tracks on this record I really prefer some of the less covered ground. This is the first Moog album I’ve come across that has interpretations of Prokofieff and Rachmaninoff on it, so it gets points for originality if nothing else. Also the “Variations on Paganini” track is a 10 minute banger that features some really crazy and out-there synth work that I feel was a little bit ahead of its time.

I tried to dig up some information on Hans Wurman, but I could only gather the odd bits and pieces. He was a composer and pianist, but I don’t think he ever released anything of his own commercially. But he did love him the Moog. In addition to this record he released a Moog cover of “Carmen” and a collection of Chopin Moog covers as well.

He’s also credited as an engineer and performer on a few other Moog releases as part of the Electronic Concept Orchestra. I actually own two of their releases, Moog Groove and Electric Love, and while both feature some truly amazing covers, I can’t really recommend them.

Outside of that, I can’t find much on him aside from a pair of credits at the IMDB, including one for a horror movie called Bog about a giant gilled monster. Gonna have to dig that one up.

Like I said, this is a pretty great record, and a big step up from the typical rip-off rush job Moog records that were coming out at the time, especially in the classical market. Get your Moog on and give it a go.

Posted in Complete Albums, Moog | 1 Comment »

Another Post With Synthpop From Two Different Continents

September 19th, 2015

Been busy! Mostly the good busy! And I wrote a lot of shit on my other site. I finished my guide to YMO’s albums, which took me far too long so I hope you all read it, share it and enjoy it. Then I did a write-up on the Mario Anniversary Celebration that I went to. I still haven’t seen much English language coverage of that, so if you know anyone who would be interested in reading such an article please pass it along to them. Same goes for my review of the Mario Anniversary music CD.

Basically, I’m asking you all to read my shit and pass my shit along to others who might enjoy it and do the same. Because sometimes validation via readership feels nice.

Lots of music tonight! Shit, lots of words tonight!

Berlin
Masquerade (Extended Version)
Like Flames (Extended Version)
Dancing In Berlin (Dance Remix)
You Don’t Know (Extended Remix)
The Metro (Remix)
No More Words (Dance Remix)
These are all of the Dancing In Berlin remix EP, which only came out in Japan. And if you think that the only reason that I moved to Japan was so that I’d have a chance of finding rare out-of-print CDs like this in budget racks for less than five bucks you’d be…not entirely off mark.

Seriously though, I was pretty excited to come across this one today. I already had most of these tracks as vinyl rips, but most of them were still kind of scratchy despite my best efforts to clean them up. And these remixes of “Masquerade” and “Like Flames” are entirely new to me.

If you’re reading this blog then you’re probably in agreement with me that Berlin is totally one of the best bands of the 80s. If you’re not, well then, why the hell are you reading this blog? All their albums are good, even Information, which doesn’t feature Terri Nunn. I’m partial to the last “classic” album Count Three & Pray though, thanks largely to the inclusion of “Pink And Velvet” which is an achingly beautiful tragic ballad about junkies that just happens to feature one of the best guitar solos that David Gilmour (yes, that David Gilmour) ever put on wax.

That album also features Ted Nugent. So if you want to stump your friends on trivia night with “What album features David Gilmour and Ted Nugent?” then you’re welcome.

By the by, I didn’t include the extended version of “Sex (I’m A…)” because you can get that on the CD and digital editions of Pleasure Victim.

Akiko Yano
Tong Poo
Tong Poo (Welcome To Jupiter Version)
Tong Poo (Naked Jupiter Version)
Zai Kung Tong Boy (在広東少年) (Original Version)
Zai Kung Tong Boy (在広東少年) (Tobashite Yukuyo Version)
Zai Kung Tong Boy (在広東少年) (Live Version with Ryuicihi Sakamoto)
Akiko Yano is a pianist singer-songwriter who came to prominence in Japan during the 80s due to her relationship with YMO (which was more than professional, she was married to Ryuichi Sakamoto for a bit). I put some of her stuff on here ages ago, including the first version of “Tong Poo” that I’m including here again tonight.

The other two version of “Tong Poo” (which I keep typing as “Tony Poo” for some reason) are new. I mean that literally, they’re on her new album, Welcome To Jupiter, which just came out this week. I know I usually don’t post music you can get legally but I do realize that the overwhelming majority of you all reading this don’t live in Japan, so your options for picking this up by legal means are relatively limited. Because record companies don’t understand how digital distribution works.

The Welcome To Jupiter version is an interesting take that combines acoustic instruments with some oddball electronic sound effects. I don’t know if I like everything it does (but waterdrop sound effect is a bit much) but I do appreciate its eccentricity. The “Naked Jupiter” version is an instrumental that’s included as a bonus version of the deluxe edition of the album.

“Zai Kung Tong Boy” is a great song with a really interesting lineage. It was written by Sakamoto and included on Yano’s album Dinner Is Waiting, which was co-produced by Sakamoto as well and features contributions with the rest of YMO. The song was also frequently performed live during YMO concerts, with Yano still on vocals as she was one of their touring keyboardists at the time. It was apparently also performed often at Sakamoto solo shows. The second version is taken from one such show, included as a bonus track on a Sakmoto box set I purchased last year. This version is over seven minutes long and features some SICK shredding.

The final version was taken from Yano’s 2014 album  Tobashite Yukuyo, which featured Yano working with several prominent Japanese producers (a trend she repeats on Welcome To Jupiter). In this case, the producer is Yoshinori Sunahara, formerly of Denki Groove, who has also done remix work for Cornelius and Yukihiro Takahashi of YMO. That same album also features a collaboration with Boom Boom Satellites, and I’ll try to share that sometime soon.

 

Posted in Akiko Yano, Berlin, remixes, Ryuichi Sakamoto | 1 Comment »

Let’s All Go Back To LiveJournal and Listen to Madonna Together

September 5th, 2015

Okay so I need to rant about something and I really can’t do it on my other site because less understanding family go there and I can’t do it on Twitter because it would be about a thousand tweets. So congrats, you all win.

Like, what the fuck is wrong with Facebook?

What is it about Facebook that brings out the absolutely shittiest forms of expression in people? Facebook should be awesome, especially for someone like me, an expat who has friends on multiple continents. But it’s not. It’s a wasteland of horrifically unfunny plagiarized memes, anti-science babbling and racist bullshit.

Why? Why do people feel the need to contribute to that festering stew? Who clicks “like” on something that says “click like if you remember [NOSTALGIA]?” Why do that?

Ugh. It’s disgusting. And seeing a sizable minority of my friends recently speak out against #blacklivesmatter as something that’s allegedly racist just makes my head want detach itself from my neck and crawl itself up my ass just because it might find less shit there.

If your natural response to seeing someone post something related to #blacklivesmatter is to say “hey all lives matter” then shut up. Just shut up. Google “All lives matter” and see the racist mountain you’re willing to die on. Shut up. It’s not about you. Shut up and listen. I’m willing to bet you don’t do that a lot.

I’ve given up all hope that we’ll ever live in a “post-racial” society but I’m counting down the days and praying that we someday live in a “post Facebook” one.

There should be a social network dedicated to only sharing original content. Of course, if there was no one would bother to use it, because writing original content is hard and scary and omg look at this Minions meme.

Here are some Latin interpretations of Japanese techno songs performed by a German DJ. And Madonna because I’m gay.

Señor Coconut and His Orchestra
Limbo (instrumental version)
Behind The Mask (Original Hamster’s Yellow Miami Magic Sound Orchestra Machine Remix)
The Madmen (instrumental version)
Ongaku (instrumental version)
Simoon (instrumental version)
I could have sworn that I posted some Señor Coconut before. Huh. Strange. Maybe it was attached to one of the very few posts I’ve had flagged for DMCA violations before (upside to maintaining a woefully unpopular blog on my own server is that I don’t get a lot of those).

Anways, Señor Coconut is the alter ego of one Uwe Schmidt, a German DJ based in Chile. As Mr. Coconut, Schmidt takes classic songs and reimagines them as bossa nova dance jams. It’s a solid concept.

In 2005 he dedicated an entire album to bossa nova covers of Yellow Magic Orchestra songs and called it Yellow Fever. I found a vinyl copy of it last year and fell in love with it. But I was extra elated to pick up a used copy of the Japanese CD edition last week, as it contains a shitload of bonus tracks, all of which I’m including here.

Strangely, on the CD itself the remix of “Behind The Mask” is included as a “secret track” attached to the instrumental of “Ongaku.” As to make things a little less confusing, I went ahead and separated them into two separate tunes.

Madonna
Give It 2 Me (Eddie Amador Club)
Give It 2 Me (Fedde Le Grand Remix)
Give It 2 Me (Eddie Amador House Lovers Remix)
Give It 2 Me (Oakenfold Extended Remix)
Give It 2 Me (Tong & Spoon Wonderland Mix)
Give It 2 Me (Jody den Broeder Club)
Give It 2 Me (Sly and Robbie Ragga Mix)
Another product of the great Madonna singles buying marathon of April. While “Give It 2 Me” is not a bad song, I’m going to go out on a limb and say that it didn’t deserve this multitude of remixes.

Posted in B-sides, Madonna, remixes, Senor Coconut | 5 Comments »

Nostalgiagenre

August 18th, 2015

I went to Summer Sonic this past weekend. It was pretty rad and I plan on writing about it sometime this week or the next. I won’t have much to say about the actual festival, but the entire experience did make me think about the state of rock music, what makes me identify with music, and the growing trend of pastiche as a genre.

I think it’s going to be rather wordy. So I apologize in advance for that.

Now music.

N.E.R.D.
She Wants To Move (D.F.A. Remix)
She Wants To Move (Mac & Toolz Extended Remix)
“Her ass is a spaceship I want to ride.”

“HER ASS IS A SPACESHIP I WANT TO RIDE.”

Fuck the “Happy” song, that line right there is the most life-affirming shit Pharrell ever wrote by far.

I love this song, much like I love nearly everything off of the first two N.E.R.D. albums. It’s such a great song that it can even overcome the lackluster DFA remix, that tries way too hard to make it into a krautrock song. You can’t do that to a song that has the line “her ass is a spaceship I want to ride” goddammit. The Mac & Toolz remix works far better, and instead re-imagines the song as an 80s funk jam with plenty of totally radical synths.

Big Country
Wonderland (Extended Mix)
Heart And Soul
Lost Patrol (Live)
Giant
I posted a bunch of Big Country a while back and have been repeatedly (but politely) requested by one incredibly persistent Big Country fan to repost them. Here are a few of them. I’ll try and put the rest up in the next few posts. Spoiler: “Wonderland” is one of the greatest songs ever written and you should like it.

Madonna
Celebration (Benny Benassi Remix)
Celebration (Benny Benassi Dub)
Celebration (Oakenfold Remix)
Celebration (Oakenfold Remix Dub)
Celebration (Johnny Vicious Club Remix)
Continuing in what will most likely be a multi-month/year posting spree of Madonna remixes. These are all from a 2×12″ single I picked up earlier this summer.

In additional Madonna news, I’m still working on part two of my guide to Madonna singles. It’s proving to be daunting. She put out a lot of freaking singles in the 90s you guys.

Posted in B-sides, Big Country, live, Madonna, N.E.R.D., remixes | 3 Comments »

YMOMG

August 4th, 2015

 

I recently bought a 3CD set entitled イエローマジック歌謡曲, which according to my boyfriend translates to Yellow Magic Popular Music. It’s a compilation from a few years back that collects various pop tracks from the 70s and 80s that members of Yellow Magic Orchestra were involved with in some degree or another.

With 55 songs in total, it’s all over the place tonally, and includes everything from 80s J-pop, experimental electronic music and even some traditional Enka tunes. It’s a weird collection, and while it is a little uneven at times, I’m still incredibly happy that I was able to find a copy (and a cheap one at that), as I feel that it’s exposed me to a treasure trove of obscure pop acts from the 80s that I must unearth.

Tonight’s tracks were all taken from said compilation. I hope you enjoy them, especially since I plan on posting a lot more Japanese electronic pop in the coming weeks, from this compilation and elsewhere.

Koharu Kisaragi
Neo-Plant (12″ Version)
On the CD this track is credited solely to Kisaragi, but the truth is that it’s a collaboration between her and Ryuichi Sakamoto, something I could gleam even just by listening to the track. It sounds very similar to many of the best tracks on Sakamoto’s Futurist Bastard, an album that came out the same year. Both are heavily rooted in sampling technology and at times incredibly manic, seemingly drawing upon both the same technological and philosophical influences that The Art Of Noise were pulling from. Neeless to say, if you like Art of Noise or late-era YMO, this track should be right up your alley.

As for the woman who is credited with performing it, I really can’t find out all that much about her. She only released one album, Tokai No Seikatsu, which also came out in 1986. It’s never been re-issued and damn near impossible to find now. I did score a copy online though, and you can do the same here if you’re so inclined. It’s not bad, albeit a little uneven.

Cosmic Invention
Cosmic Surfing
The same blog I linked to above also has a page on this band, which also has a download link to their sole album, which came out in 1981. Outside of the information that page, I can find very little on this group. They were apparently a trio, they worked with Sakamoto at some point, and were able to score a couple hit singles before vanishing in the pop ether. This single, which is not on their album, is a cover of the YMO song of the same name. This was already a poppy tune, the jacked-up production and the cheery vocals make it even more upbeat. I need to add this to my jogging mix.

Susan
Ah! Soka!
サマルカンド大通り
Thanks to her incredibly generic stage name, it’s pretty hard to find information (especially in English) for this one. From what I can gather, mostly from Discogs information and an incredibly sloppy Wiki entry, Susan is a Japanese/French singer-songwriter who worked with YMO’s Yukihiro Takahashi to release two LPs and several singles in the early 80s. Sadly, nothing she ever put out really set Japan on fire, and it would appear that she hasn’t released much since. She does have a webpage, but I don’t think it’s been updated since 2007, so I don’t know if she’s really all that active today.

Too bad though, because these two songs are fantastic. Her voice has a squeaky-yet-haunting quality to it ala Kate Bush, and the fast-paced, energetic production is complex and layered enough to avoid sounding too terribly dated. There was a compilation released in 2005 that collected everything she ever released, I hope I can find that somewhere, I really want to hear more from her.

Posted in Cosmic Invention, Koharu Kisaragi, Ryuichi Sakamoto, Susan, YMO, Yukihiro Takahashi | 6 Comments »

No One Will Care About It In Five Years

July 28th, 2015

 

If you follow me on Twitter, you know that I recently ranted a bit about Nicki Minaj. You might also know that such ranting put me under the ire of several feminists who think that white men have no right to critique pop music sung by a woman. (They may claim otherwise, but that’s what they’re doing). Go there for more information. I feel that a few of the people who attacked me might have some good points, if they didn’t decide to dogpile and insult me non-stop. If you do read their comments, don’t reply though. I’m not in the business of sending hate mobs. I just thought the entire disaster was worth mentioning.

I was going to write about this tonight. But I can’t find the words to express myself in a way that doesn’t come off as horribly defensive or dismissive. (It’s almost like race and media are complex issues and that a person’s value or worth as a feminist can’t be defined by a singular viewpoint regarding a single artist!) So here’s a depressing song instead.

UNKLE
Rabbit In Your Headlights (Instrumental)
Rabbit In Your Headlights (Underdog Mix)
Rabbit In Your Headlights (Underdog Instrumental)
Rabbit In Your Headlights (3D Mix Reverse Light)
Rabbit In Your Headlights (3D Mix Reverse Light Instrumental)
Rabbit In Your Headlights (Suburban Hell Mix)
I love this song, but damn it makes “No Surprises” by Radiohead sound like a party jam in comparison. These remixes don’t do much to alleviate that, and are all just dark and oppressively sad in their own ways. Still a solid tune though.

Village People
Milkshake
I Love You To Death
Okay fine, let’s go out tonight on a high note. Have you ever seen Can’t Stop The Music? You should see Can’t Stop The Music. It’s a musical starring the Village People, Steve Guttenberg and Caitlin (at the time Bruce) Jenner. It might be the greatest movie ever made. It is certainly one of the gayest movies ever made. And trust me, I’ve seen some gay-ass movies. Notice that I said gay-ass movies and not gay ass-movies.

That’s a whole other genre.

Anyways, the soundtrack to Can’t Stop The Music is unfortunately out of print. There’s a lot of amazing stuff on that LP if you’re a fan of horrible cheese, and I thought I’d pick two of the best tonight.

“Milkshake” is a song…about milk. In the movie the Village People are hired to sing a song for a milk commercial and this is what happens. And it’s not an innuendo either, it’s literally a song about how great milkshakes are. The end. It’s amazing.

BUT NOT AS AMAZING AS “I LOVE YOU TO DEATH.”

Unfortunately I can’t find the video on YouTube, but it’s nothing more than the construction worker flaming it up around a construction site for three minutes while women in red evening dresses alternately fawn over and ignore him. It’s pretty much worth buying the movie for. That and the surprising full frontal male nudity during the “YMCA” dance number.

I’m not kidding.

If you want more information on this classic, I wrote a review on my other site. Also on that site is a review of the recent Demons soundtrack re-issue that isn’t that bad.

Ah, Village People. I feel better now.

Posted in remixes, soundtrack, UNKLE, Village People | 4 Comments »

Andrew Lloyd Weber and Madonna, but not that one.

July 20th, 2015

I hope I make up for the delay in posting with this post, which features stupid remixes of game music, Korn and Madonna. I try to cover all my bases.

While I haven’t been updating much here this month, I have been slightly more prolific than usual over at my other site, Mostly-Retro, where you can find a write-up on the vinyl release of the radical Babymetal album; and a look at the soundtrack to Darius.

Speaking of game music…

Doctor Spin
Tetris
Play Game Boy
I’ve been doing this thing over at Mostly-Retro called Game Music Revue, where I review old game soundtracks. Like most things I write about, it’s not really for mass consumption, but if you’re into old game music, I suggest you check it out. As of right now, I’m trying to stick to mostly albums over there, so something like this really doesn’t fit, but this is so stupid I just had to write about it somewhere.

This is an acid house/eurodance remix of the Tetris theme music, which is in and of itself a cover of a traditional Russian piece entitled “Korobeiniki.” This version was released as a single in the United Kingdom in 1992 and somehow managed to crack the Top 20 there.

But wait, it gets stupider. Doctor Spin, as it turns out, is actually one Andrew Lloyd Weber. That’s right, the man behind The Phantom Of The Opera, Cats, Evita and Jesus Christ Superstar decided, well after more than establishing himself as one of the most successful musical theater composers of all-time, decided to give a go on the pop charts by recording a techno remix of a video game theme song.

The early 90s were a damn pop music wasteland I swear to god.

The B-side, by the way, is typical and forgettable 90s house music with a chorus of “Play The Game Boy” looped over it. I must imagine that Nintendo paid money for this to happen.

Korn
Make Me Bad (Kornography Mix)
Make Me Bad (Sickness In Salvation Mix)
Make Me Bad (Sybil Mix)
I originally posted these Korn remixes EIGHT FREAKING YEARS AGO HOLY SHIT THIS BLOG IS OLD.

Sorry, the realization of time marching on makes me type in all caps sometimes. Anyways, yeah, I posted these a long time ago, but since then I bought this single again on much better condition vinyl and re-recorded it. So as a somewhat unapologetic on-and-off-again Korn fan (their dubstep album was shockingly good and far better than it had any right to be) I thought I’d share these again.

Madonna
La Isla Bonita (Instrumental)
Live To Tell (Edit)
Live To Tell (Instrumental)
Borderline (Dub Remix)
I really have to up my Madonna game. I’m currently sitting on a good two to three dozen Madonna remixes that I haven’t gotten around to sharing yet. Maybe more, I don’t even know. It’s funny that right after I decided to come out of the closet that I kept finding Madonna singles on clearance. It’s almost like the universe was rewarding me for being true to myself. A reward from the gay gods, if you will.

Posted in Game Music, Korn, Madonna, remixes | 2 Comments »

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