Junior Senior and an Ominous Madonna Warning

September 13th, 2011

Sleepy.

Madonna
Nothing Really Matters (Club 69 Vocal Club Mix)
Nothing Really Matters (Club 69 Future Mix) – as per evidence of this LP being evil, this MP3 is fucked up and I had to take it down
Nothing Really Matters (Club 69 Radio Mix)
Nothing Really Matters (Club 69 Phunk Mix)
Nothing Really Matters (Vikram Radio Remix)
Nothing Really Matters (Club 69 Future Dub)
Nothing Really Matters (Kruder & Dorfmeister Remix)
Man, that’s a whole lot of “Nothing”. I used to like this song, but this 2×12″ single was a pain in the goddamn ass. It skipped, needed to be cleaned repeatedly and then my recording of it got corrupt so I had to do it again. I still kind of like the song, but I fucking hate the record its on.

More Madonna later this week. You’ve been warned (trust me…you’ll see).

Junior Senior
Move Your Feet (Rascal Madness Mix)
Move Your Feet (Rascal Beats)
Move Your Feet (Rascal Edit)
Move Your Feet (Rascal Extended Club Mix)
Move Your Feet (Rascal Bonus Mix)
Perfect dance song? Perfect dance song.

What have Junior Senior been up to since the break up? Well Jeppe Laursen (Senior) did what every talented gay man in the music biz will eventually do, he went to go work with Lady Gaga. How could the man partially responsibly for the above track of epic awesomeness also somehow be the co-writer and producer for the Madonatrocity that is “Born This Way”? Ugh.

So we know what happened to Senior, but what about Junior (Jepper Mortensen)? Well, he released an amazing single called “Trust Tissue” (which was originally an unreleased Junior Senior song) under the name I Scream Ice Cream and then…I have no idea. According to Wikipedia he released an album as well, a record with three tracks that were 25, 35 and 45 minutes long. However, I cannot find any release information on it. Can anyone confirm this? I would love to hear that sure-to-be dance epic.

These “Rascal” mixes are from a 12″ single. In case you were wondering, “Rascal” is Albert Caberra, a very prolific remixer and producer.

Praga to God that I Khan get this record

September 12th, 2011

Damn video games.

Allow me to elaborate.

Last week I purchased Driver San Francisco. It’s a shockingly great game and return to form for a series that I thought went to the shitter ages ago. I highly suggest picking it up.

I didn’t preorder the game when it came out, but the dude working the Gamestop still gave me the preorder bonus, a perfectly nice travel mug with the Driver logo on it. Kind of stupid, but whatever, I like free crap.

I was content with that, until I found out that UK retailers got their own pre-order bonus for the game: a freaking 180g yellow vinyl LP with selections from the game’s (amazing) soundtrack! Goddammit! That’s the second time us Americans have been screwed out of awesome video game vinyl! But hey, I was able to get that record thanks to an awesome person who reads this blog.

So…are you an awesome person who reads this blog? Can you get a copy of this vinyl and mail it to me? If so, I will repay you in cash and in MP3s.

My email is on the sidebar to the right, if you think you can hook me up please drop me a line.

Short post today. Bigger post tomorrow.

Praga Khan
My Mind Is My Enemy (A Mind Is a Dangerous Thing Mix)
My Mind Is My Enemy (Quick Frontal Mix)
Luv u Still (Our Love Is Eternal Mix)
Praga Khan has an album called Pragamatic and another called Khantastic. I respect that level of commitment to such a stupid alias.

I’m not that familiar with Khan’s solo work, although I notice that much of it seems to be of the EBM/industrial-dance variety,dark songs about how much he hates humanity; how much humanity hates him; or how much relationships suck.

This is of course in stark contrast with his work with Lords of Acid, a band whose catalog almost solely consists of songs about crotches and what people do with them.

They recently got back together (with a different lineup) and have just released their first single; “My Little Rabbit.” It’s about a big plastic vibrator. Nice to see that some things never change I guess.

Honestly, that song sounds pretty damn horrible. These tracks, however, are not. You should listen to them. Then, if you dig the remix to “Luv U Still” then I suggest you check out the album version – that track is one of the best acid house songs ever, no question.

Modes of Depeche

September 7th, 2011

If you guess the theme to tonight’s post then congrats, you can read.

Dave Gahan
I Need You (Gabriel & Dresden Unplugged Mix)
I Need You (Ladytron Detoxxmixx)
I Need You (Jay’s Summerdub)
I Need You (Gabriel & Dresden Plugged Dub)
Dirty Sticky Floors (Lexicon Avenue Dirty Sticky Dub)
I Need You (Ladytron Detoxxmixx Instrumental)
I have the 12″ singles for “I Need You” and “Dirty Sticky Floors.” I also have the Hourglass Remixes EP. I do not, however, own either of Dave Gahan’s proper solo albums. It amazes me how often I do bass-ackwards shit like that. My brain is always like “An album I can easily get for a few bucks? Fuck that. I want the rare and hard-to-find 12″ single that is beaten up and scratched so bad that will will take me two hours to record and restore.”

Of these mixes, I prefer the Ladytron one. Not only does it Depeche Mode it up with extra synths and drum machines, but it’s also a scant four minutes long. The rest of these remixes are ridiculously lengthy. Don’t get me wrong, I could listen to Gahan’s seductive voice all day and night (and I have sometimes) but one can only take so much of “You’ll always need me much more than I need you” being repeated ad nauseum.

Depeche Mode
The Darkest Star (Holden Remix)
The Darkest Star (Holden Dub)
I Feel Loved (Danny Tenaglia’s Labor of Love Radio Edit)
My Depeche Mode singles count is in the 50s now, so I’m shocked when I find one I don’t own. And between the six singles box sets and the two massive remix collections, I am even more shocked when I find a Depeche Mode remix from a single that is a genuine, out-of-print rarity. That’s the case for all three of these mixes though, which I picked up from 12″ singles I bought at Amoeba. These mixes for “The Darkest Star” are great, although the odd scratchy noise (which is intentional and NOT a defect of my record) on the “Holden Mix” is kind of grating at first. In a rarity for me, I actually like this dub mix way more. It’s intense, fast-paced and crazy weird. The “I Feel Loved” mix is great, but I’m not a big fan of that song in the first place.

Pop Will Eat Prodigy

September 5th, 2011

I recently did something I swore I would never do, and that’s buy a cassette tape deck.

I am not a fan of cassettes. I hate the hiss. I hate how they get worn down and you can start to hear the track on the other side in reverse. But more than anything else, I hate the shitty artwork. I guess size matters for me when it comes to a physical release, I want to see the artwork and linear notes in all their glory, I practically need a magnifying glass to read cassette linear notes.

Anyways, I got one because I promised a friend I’d record some mixtapes out of her own collection. So now it’s hooked up to my soundsystem, junking up the joint. I figured I’d make the most of it though and ask you all, are there any cassette-only releases/remixes/B-sides from 80s/90s artists that you know of? Or any special cassette mixes of albums that are worth listening to? I know there’s a Polyrock album that was released on cassette only, but that thing is near-impossible to find.

Well, enough about a horrible antiquated format that sounds like shit. Here are some tracks taken from CDs.

Yes, that was an intentional little joke on my part.

Pop Will Eat Itself
Get The Girl! Kill The Baddies!
Can U Dig It?
Urban Futuristic
Wise Up! Sucker
Like many American teens at the time, I discovered PWEI in 1996, when their songs were featured on the PS1 game Loaded. That game was an orgy of violence and death, so PWEI’s tracks “RSVP” and “Kick To Kill” fit perfectly on it. I remember being so impressed with their tracks on the soundtrack that I sought out a copy of their only album that I could find in American stores, Dos Dedos Mis Amigos.

I didn’t discover their earlier stuff until I started buying vinyl, and I still can’t believe all these releases are by the same band. Their early Box Frenzy-era stuff is kind of hideous white-boy rap that’s barely listenable today. But This Is The Day…This Is The Hour…This Is This! is actually more than little bit brilliant. It holds up better than anything the band did before or after, with amazing tracks like “Can U Dig It?” still sounding fresh some 20 years later.

PWEI (kinda) got back together recently, and most of their albums are getting the 2CD deluxe treatment to celebrate the event. Even though I have most of the non-album rarities on vinyl, I’ll definitely be picking up the deluxe version of This Is The Day… when it comes out, and I suggest you do the same.

Oddly enough, none of the re-issues feature these live tracks, which are from the Get The Girl! Kill The Baddies! EP that came out in 1992. I think that speaks less of the deluxe editions, however, and more to the fact that there were so many B-sides and live tracks from this era that something had to get cut.

The re-issue of Now For a Feast will have their cover of “Love Missle F1-11” though, which is good enough a reason to buy it.

The Prodigy
Out Of Space (Underworld’s Millennium Mix)
Out Of Space (Celestial Bodies Mix)
Jericho (Live Version)
There are two variations of the CD single for “Out Of Space.” One is a four-track version with the single edit and “Techno Underworld Remix” versions of the title track, as well as “Ruff In The Jungle Bizness (Uplifting Vibes Remix)” and a live version of “Music Reach (1,2,3,4).”

The other is a six-track version, which includes the previously mentioned remixes and a live version of “Jericho.” The live version of “Music Reach (1,2,3,4)” is not included. The four-track version is on Amazon’s MP3 store, but the tracks exclusive to the six-track version are not. So that’s why I only included those tracks, which are out of print, and not the others, which are easily available.

Goddamn import singles make everyone’s life more difficult.

Early 90s electronic music for the win – Aphex Twin and 808 State

September 4th, 2011

I rarely post music that I was into when it was originally released, but I can proudly say that I was listening to music by tonight’s artists back when they were the cutting edge of all things electronic. I’m not that cool though, I wasn’t rocking out to these at illegal midnight raves or anything like that. No, instead they served as background music to countless Doom marathons and Punisher comic book reading sessions.

It’s amazing I turned out as well-adjusted as I did. …okay, maybe it’s amazing that I’m not more fucked up than I already am.

Enjoy, and tune in Monday, if you think this shit is weird…just wait.

Aphex Twin
Vaz Deferenz
Ice Hedral (Philip Glass Orchestration)
Pancake Lizard
Is there an artist out there as diverse and batshit crazy as Richard D. James?  Take these three tracks, all of which are from the single to “Donkey Rhubarb.” “Vaz Defernz” (named after the part of the male anatomy that allows for ejaculation) is a pounding track that’s about two steps removed from full-on acid house, but it’s followed up by Philip Glass’ orchestral version of “Ice Hedral,” one of the most haunting and beautiful tracks you’re likely to ever hear. Then that’s followed by “Pancake Lizard,” a simple, quiet and almost playful electronic piece that’s nearly ambient. And they’re all B-sides, yet more amazing than anything you’re likely to hear from mainstream electronic/dance music today. Has James put anything out since the Analord series? I miss him.

808 State
Cubik (Pan American Experience)
Cubik (Kings County Perspective)
In Yer Face (Mancunian Delight)
Cubik (Kings County Dub)
You know how many versions of “Cubik” there are? Me neither, but it’s a fucking lot. On my computer I have the original version; the “Tomix” remix; the 88 and 98 remixes, the Dominator/Cubik mashup by Soulwax and these three versions from the “Cubik” single I picked up at Amoeba in San Francisco. That’s eight different versions. They should just pull a Moby, make them into one massive mix and release that as a CD. That would be epic. Or should I say “epik?”

No, I probably shouldn’t have.

I Ran Out of Ways to Combine the names Orb and Orbital

August 31st, 2011

I will stop posting combinations of Orb/William Orbit/Orbital when I stop finding Orb/William Orbit/Orbital singles.

The Orb
Blue Room
Blue Room (Radio 7)
Blue Room (Excerpt 605)
Towers of Dub (Mad Professor Remix)
That first version of “Blue Room” is indeed the full uncut version. For those of you who may not know, that means it’s 39 minutes and 58 seconds long.

The Orb made a 39 minute and 58 second long song because that was the longest a song could be in the UK ans still count as a single. I wonder how long a song can be on iTunes and still count as a single? Since I often see 10 or even eight minutes songs on iTunes limited to “album only” purchases, I’m going to assume it’s a lot less than 40 minutes.

I posted these tracks long ago, after I found them on another blog. However, that blog was only hosting 192 kbps versions. These rips, taken from my recently acquired 2CD Blue Room single that I found at Amoeba, are encoded at 256 kbps; which is why the uncut version is 73.2 MB big. Don’t be a dick and download it repeatedly. Unlike most MP3 blogs, I actually pay for bandwidth.

Orbital
Funny Break (One Is Enough) (Layo & Bushwacka! Up Remix)
Funny Break (One Is Enough) (Layo & Bushwacka! Down Remix)
What’s so funny about it?

Okay, so I’ve listened to these two remixes about twenty times now. I love both of them, but I oddly have absolutely nothing to say about them. If you like them I suggest you check out Bushwacka’s remixes of Depeche Mode’s “Dream On.” They both feature great basslines.

More 90s/early 00s electronic music next post, which may be tomorrow! Or it may be next week. Who knows, I sure as hell don’t.

I’ll Bring the Dance Music, You Bring the Rainbows

August 31st, 2011

More Madonna. More Pet Shop Boys. More Erasure.

Don’t worry, my next post will be less Castro.

Madonna
Beautiful Stranger (Calderone Club Mix)
Fact: This theme song to Austin Powers 2 is 192% better than any of the actual content in any Austin Powers film.

Don’t argue with me! I proved it with science.

Pet Shop Boys
New York City Boy (The Superchumbo Uptown Mix)
New York City Boy (The Almighty Definitive Mix)
New York City Boy (The Thuderpuss 2000 Club Mix)
If you collect enough remixes, (and I collect more than enough) you start to notice certain names keep popping up. In the 90s I knew the big names like Flood, Fatboy Slim, The Chemical Brothers, and so on, but as my collection of remixes extends into ludicrous numbers, I’m beginning to notice many more recurring names; such as Almighty and Thunderpuss. I have a remix of Erasure’s “Chains of Love” credited to Almighty, and a few Madonna tracks remixed by Thunderpuss, but who are these people?

Well, Almighty isn’t a person at all, they’re a company (complete with a garish website). According to their Discogs page, no one person can be linked to an Almighty remix, they are a nameless mass of remixers and producers whose sole intention is to increase the funkatude of any dance track they get their hands on. They’re kind of like the Illuminati I guess, but with beats.

Thunderpuss, on the other hand, are two people – specifically Chris Cox and Barry Harris. I can’t say I know much of either’s work, but I can say without question that Chris Cox, a skinny white boy from the US, is not related to electronic music legend Carl Cox, a big black dude from the UK.

As for Superchumbo? That’s a dude named Tom Stephan. If you want to know more about him I suggest you read his horrible Wikipedia page, which reads like a press release translated from a foreign language.

Erasure
A Little Respect (Remixed By Mark Saunders)
Oh L’Amour (Acoustic)
Walking In The Rain (37B Remix)
Since I’m already talking about remixers, Mark Saunders is a super-accomplished remixer, mixer and producer. He has a webpage, find out for yourself. Of course, as you already know, Erasure is fucking fabulous, you don’t need to go to their webpage to find that out.

The acoustic version of “Oh L’Amour” is haunting, while the remix of “Walking In The Rain” is…decidedly not. It’s more fabulous than haunting. But it’s so fabulous that its fabulousness may haunt your own fabulous dreams.

Fabulous.

Oh, and in case you were wondering, “Walking In The Rain” is a cover, the original is by The Ronettes.

Pet Shop Fever

August 29th, 2011

San Francisco finds continue! Or is it rather obvious given tonight’s selection?

Pet Shop Boys
Before (Danny Tenaglia’s After Mix)
Before (Classic Paradise Mix)
Before (Joey Negro’s Hed Boys Mix)
Before (Joey Negro’s Hed Boys Before Dub)
Before (Danny Tenaglia’s Underground Mix)
Before (Danny Tenaglia’s Bonus Beats)
Before (Danny Tenaglia’s Twilo Dub)
Before (Danny Tenaglia’s Bonus Dub) 
I’ve been using Discogs for a while now to catalog my collection, something I deemed neccessary once I hit 1,000 records. It’s a pretty great site, the only downfall being when you find you have something that isn’t in their massive system. Thankfully if you stick to pop, dance and rock like I do, it’s not a problem you’ll come across that often.

My favorite thing about Discogs is that it allows you to discover stuff about your collection you might not realize. For example: I found out I own 35 Pet Shop Boys singles. Furthermore, I figured out that I own multiple versions of several singles; I have two different versions of “So Hard”, “New York City Boy”, and “Before”; and three different versions of “I Don’t Know What You Want But I Can’t Give It Anymore.” What’s more terrifying is that by using Discogs I found out about twice as many Pet Shops Boys singles that I don’t have (As well as this. Oh. My. God. It’s. So. Fabulous.).

I started using Discogs so I could look up my collection on my phone while record shopping, after I accidentally bought the same Erasure single four times in one month. It certainly came in handy during the San Francisco trip, because I would have never bought this CD single of “Before” without first checking to see if it was the version I already owned. It wasn’t, so I snagged it up. Good thing too, these mixes are excellent. Danny Tenaglia knows his shit. They’re long too, this is nearly an hour of “Before” goodness. Get ready for some disco dancing!

Madonna
Bad Girl (Extended Mix)
Fever (Extended 12″)
Fever (Shep’s Remedy Dub)
Fever (Murk Boys Miami Mix)
Fever (Murk Boys Deep South Mix)
Fever (Oscar G’s Dope Mix)
I love “Bad Girl.” It’s one of my favorite Madonna tracks. I even gushed about it in a previous post. So finding the 12″ single at Amoeba was a big deal for me. I was especially happy that I found the 12″ and not any of the CD singles too, since the 12″ is the only one that contains the extended mix. Sure, it’s not that different than the album cut, and it’s not even that extended (just a minute longer) but it gives me an excuse to post the song, and that makes me pretty damn happy. It also gives me a chance to post a link to the amazing video by David Fincher, which I suggest you all watch if you haven’t.

Of course, for many I’m burying the lead here, since the “Bad Girl” single comes with five remixes of the much bigger hit “Fever.” Meh. I like “Fever” a lot, don’t get me wrong, but there’s not much to that song in my opinion, no matter who is singing it. These remixes are good club mixes though, and if you like the track you should dig them.

Oh, and in case you’re wondering, I have 30 Madonna singles. No repeats, all unique releases. One day I will have the 12″ for all her singles. Oh yes. They will be mine.

Next post: More Madonna, more Pet Shop Boys. Maybe more of other stuff too.

Eight YouTube Concert Videos where you can See the Back of my Head – music by David Bowie and The Orb

August 24th, 2011

Presented in chronological order.

 

Lollapalooza 2008 – Octopus Project

Far right side with the towel on my head. I was rocking out with a fever at the time and didn’t know it, this was the year Lollapalooza almost killed me.

 

Lollapalooza 2010 – Foxy Shazam

About one second in, with the stupid looking red bandanna on (hey, it beats a sunburned scalp). Blink and you’ll miss me.

 

Lollapalooza 2010 – Band of Skulls

On the right side for pretty much the entirety of the video.

 

Ultra 2011 – Hybrid

Okay, this one is easy. I’m so prominent here that the video should be titled “Footage of the back of a guy’s head with some Hybrid in the background.”

 

Outside Lands 2011 – The Joy Formidable

In this one I’m a little harder to pick out, but you can see me. Right side, taking a lot of pictures.

 

Outside Lands 2011 – Clap Your Hands, Say Yeah

Center-right, quietly enjoying myself while saving energy for Big Audio Dynamite.

 

Outside Lands 2011 – Big Audio Dynamite

We’ve already covered this one. I’m front and center, rocking out like a mofo.

 

Outside Lands 2011 – tUnE-yArDs

Once again, right in the front and almost ruining this poor person’s video. Sorry! I can’t help being a giant!

Ah memories. Anyways, it’s time for a reeeeeeeeeeemiiiiiiiiiiiiiiiiiiiix!

Sorry.

David Bowie
Dead Man Walking (House Mix)
Dead Man Walking (This One’s Not Dead Yet Mix)
When I was in high school I used to hang out at a grease pit called Rudy’s Hot Dogs. They had a jukebox where you could play five songs for a buck. My friend Bryan would always walk in with two bucks. He would put the first buck in right when we sat down and play “Dead Man Walking” five times. By the time the fifth play was winding down we would be ready to head out. Then, as we were leaving he would put the second buck in, and do a fiver of Hanson’s “Mmmbop.”

My friend Bryan is kind of a dick.

These mixes are from a CD single. Unlike most of the “Dead Man Walking” remixes from the time, they weren’t on the recent 2CD re-issue of Earthling. Both are pretty good. The “House Mix” is a little too house for me (I know, what did I expect?) but I’m really digging the second one, it’s much more low-key.

The Orb
Toxygene [Fila Brazillia Mix]
Toxygene [Toxic Genes Mix]
Toxygene (Kris Needs Up for a Fortnight Mix)
Delta MKII (Dal Vivo a Roma)
Rose Tinted
When engaging in record buying sprees, I know I have to take a time out when I start buying multiple versions of the same single just for different remixes/B-sides, which was the case with the single(s) for The Orb’s “Toxygene.” I bought both the 12″ vinyl single as well as the CD-single import. What’s worse, I bought them both at the same store, at the same time. Sometimes I think I have OCRD (Obsessive Compulsive Remix Disorder). I treat remixes like Pokemon, I gotta get ’em all. In case you were wondering, “Rose Tinted,” and the first two remixes are from the CD-single, while the “Kris Needs Up for a Fortnight Mix” and the mix of “Delta MKII” are from the 12″.

“Toxygene” is a groovy tune. The original version (not included here since you can get it easily online) is a classic example of The Orb’s blissfully mellow ambient house style. while the “Fila Brazillia Mix” and the “Toxic Genes Mix” were obviously made for club play and are less ambient and more house. They both get pretty intense and fast-paced in parts, but both pale in comparison to the The “Kris Needs Up for a Fortnight” mix, which is 10 minutes of old-school acid house. Crank that shit and piss off your roommate, that’s what I’m doing right now. The remix of “Delta MKII” is crazy, with some odd industrial-type sounds thrown in, and some creepy random vocal samples will disturb the hell out of you.

On the other end of the spectrum is “Rose Tinted,” a great ambient B-side that should go on your “it’s just starting to kick in” playlist. Trippy shit.

San Francisco Records Store Reviews – Soundtrack by Erasure (Again)

August 23rd, 2011

While I was in San Francisco for Outside Lands, I also made a special effort to hit as many of the city’s fine record stores as I possibly could. I have heard epic things about the San Francisco record store scene, and I certainly wasn’t dissapointed. It’s no Portland (which has over 10 independent stores) but it was still mighty impressive. So impressive, in fact, that I ended up having to buy an extra suitcase to pack all the damn records I bought.

Here’s a quick rundown of the stores I made it to during my time in that great city.

Amoeba Music
If you ask someone who has been to Amoeba to describe the store in one word, that word would probably be “massive.” You could also accept “huge,” “monstrous,” “cavernous,” and “really fucking big” (although technically that last one isn’t one word).

Seriously. It’s huge. It’s so huge that it’s hard to even put into words, but I’ll try. Imagine a Best Buy, now take out all the dicks in blue shirts, all the shitty computers, overpriced TVs and crappy video games and replace them with CDs and LPs. Then imagine a medium-sized grocery store filled with nothing but DVDs, Blu-rays, VHS tapes and freakin’ laserdiscs and slap that on to your mystical Best Buy. That’s how big Amoeba is. Okay, maybe it’s a little bigger, but you get the idea.

The store is so big that when I first walked in I didn’t even know where to being. I just kind of circled the outer peripheries of the aisles for a few minutes, plotting my plan of attack. I decided to start with the CDs since they’re easier to carry than LPs.

I have never seen a more well-organized/stocked/maintained CD selection in my entire life. The sections make sense: rock/pop, electronic, hip-hop, jazz, country, and the artists are all where they belong (no finding Depeche Mode in electronic or Johnny Cash in rock or shit like that). Each artist of note (and several hundred not-of-note) are given a placard, and in many cases each of their individual albums are given placards as well. For example, if you go to Bowie, David you’ll find an individual placard for Station To Station that has all the various versions of that album that the store has in stock. Such a great system. Box sets and deluxe editions that are slightly too big for the racks are on a shelf above, while the massive box sets get their own section near the end of each genre. It all make sense. It’s how record stores used to be, just on a supermassive scale.

The LPs are slightly less organized, but still well-maintained and relatively easy to search through. The rock section is the cleanest, with nearly every artist you could think of getting their own placard, while the electronic section is much more of a hodgepodge in a kinda-sorta alphabetical order. Everything is packed nice and loose though, so it’s easy to skim through each row. They also separate the new used arrivals from the genreal stock, so if you’re a frequent visitor you don’t have to dig through the general inventory every time you visit.

But all this wouldn’t have mattered if the prices are bullshit. Thankfully, prices at Amoeba seemed relatively fair. I never thought that I was paying too much for a used record, and in some cases I felt like I was getting a steal. They always seem to have a good selection of stuff on clearance (especially in the electronic section) and the only really expensive albums are the ones they put up on the wall, which can range anywhere from $10 to $2,000 (and in case your wondering, the $2,000 record was a butcher baby).

If there’s only one downfall of Amoeba, it’s that it’s too big. It’s staffed rather well, but they’re always busy making sure no one is trying to rip them off, so it’s hard to really talk to anyone. It feels more like a supermarket than a record store, and is lacking that laid-back independent record store vibe.

The being said, it’s definitely the coolest fucking supermarket in the world and it goes without saying that I’m in love with the place. I went there twice during my time in San Francisco and I bought so many records the first time I was there that they had to give me a box, not a bag, to carry them all out in. If you’re a record collector this place is fucking Mecca. A must visit no matter what.

Recycled Records
That isn’t to say that there aren’t other great record stores in San Francisco! Just down the street from Amoeba is Recycled Records. This store may not be as massive and awe-inspiring as Amoeba, but it has its own charm and personality, both of which really made it stand out to me.

The records are easy-to-access, just like Amoeba, and while the store is small, they have a very diverse selection of rock, hip-hop and electronic music. In terms of their selection, what really stood out to me was their soundtracks section. They have a wide variety of odd and weird movie soundtracks, I picked up a copy of the Starman soundtrack while I was there, and at a pretty reasonable price too.

What really makes Recycled Records a store to visit, however, is the staff. From what I could tell, two dudes man this place, and they are both some laid-back bros, even by San Francisco standards. I walked into their store hauling a big box of records from one of their competitors, but not only were they cool about it, they wanted me to show them what I picked up there. They even let me leave the box there while I walked around the neighborhood! If you’re looking for a solid little store with a ton of personality, this is a great place.

Groove Merchant Records
A few blocks down the hill from Recycled Records is Groove Merchant. They mostly deal in soul and hip-hop, so it really wasn’t for me. If you like that stuff, however, then you might want to check this place out. Their records were a little on the pricey side though.

Rasputin Music
Next to Amoeba, I spent the most time at this store in Union Square. It’s huge, but its hugeness is hidden by the fact that it’s spread out over five stories. The first floor has all the new releases, and you take the stairs to the second, which is where most of their DVD inventory is. From there, you take an elevator (which is always manned by an employee) to the rest of the store. The third floor houses the vinyl; on the fourth you’ll find rock, hip-hop and pop CDs; and on the fifth is everything else, including electronic music, jazz and experimental.

It’s a little daunting at first, but the layout make sense once you get the hang of it. All of their inventory is meticulouslyorganized, and everything is super-easy to look through. Their prices are excellent as well. I picked up some imports and hard-to-find 12″ Bjork singles at nearly half of what I would have expected to pay for them anywhere else. The staff isn’t especially friendly, but they are helpful and polite if you need them. A nice surprise, I’ll be coming back here for sure on my next trip.

Grooves
It’s all been sunshine and lollipops so far, but not all record stores in San Francisco were winners.

I really wanted to like Grooves. It seems like a cool little store. They had a ton of records, the dude behind the counter seemed alright and the customers were fun to talk to. However, the place is a freaking mess.

Records, records everywhere and not a way to look through them. The stacks are packed tight, so you have to pull records out before you can even shuffle through them to see whats there, and unless it’s a major artist, you’re going to have to shift through the miscellaneous sections (which weren’t in alphabetical order) to see if they have what you are looking for. Also, be prepared to crawl on the damn floor. As a tall dude, I really hate that.

Sometimes you can have too much of a good thing. Grooves needs to clear out its inventory so people can actually see what’s there. If they did that, the store would be amazing. As it is now, it’s still worth visiting, but only if you have a lot of patience and a strong back.

Streetlight Records
I didn’t get to spend a lot of time at Streetlight, located close to the Castro district, since they were closing up when I got there. From what I was able to shift through though, I could tell it was a pretty good store with a decent selection of tunes on both CD and vinyl. It was their CD singles selection that really impressed me though, I scored a ton of Madonna, Pet Shop Boys and Erasure CD singles there (which was how I knew I was close to Castro). A nice place, I just wish I had more to say about it, I’ll definitely have to check it out again the next time I go.

Black Pancake Records
This store is pretty new, and is run by guys who used to run a store called Tweekin Records. It’s very cramped (I nearly hit my head a few times) but they still let the records breathe, and they’re organized very well. It’s also run by a real cool dude. Not only did he let me use their bathroom, he recommended some solid LPs to me, and didn’t give me a “what the fuck” look when I snagged a 12″ single to the Streets of Fire theme song. That, combined with some great listening stations and an overall chill vibe, made me feel like I could hang out at this place all day.

Green Apple Books
Let me just say that the Green Apple Books is an AMAZING used book store, the kind of book store you just don’t see anymore, with piles of books stacked up as far as the eye can see. If you like books like I like records, then you’ll be in heaven though.

But if you like records, this might not be your place.

Green Apple has a sizable record and CD selection, but it’s a mess. Most of the CDs are kept in rickity shelves that you have to pull out slowly to look through, and most of them are at that uncomfortable knee-high level that makes them a (literal) pain to shift through.

The situation with their LPs is almost as bad. Nearly half of their record selection is on the ground, and for tall guys like me that’s no fun at all. Making matters even worse, the stacks are packed in too tight and too deep. Even with my massive wingspan, I was stretching to grab the records at the back of the shelf. How they expect anyone to find or buy records with a system like this is beyond me. It’s the one store I went to where I didn’t buy a single thing.

Aquarius Records
Are you looking for the newest (or oldest) albums by anyone who has ever even tried to possibly even maybe flirt with mainstream success? You won’t find them here. But if you’re looking for the b-side compilation to your favorite German 70s prog-group, or the latest release by the hottest Norwegian death metal album then you’ll be in luck here. Super-niche for sure, but still a lot of fun. And while their selection may be uber-hipster, the staff is still very friendly and polite.

If I missed any awesome San Fran stores let me know! I plan on returning there someday soon. I really fell in love with that city, and not just from the contact buzz.

Erasure
Hallowed Ground (Vince Clarke’s Big-Mix)
Chains Of Love (Almighty 12″ Definitive Mix)
Phantom Bride (Ghostly Groom Dub By FrankMusik)
A Little Respect (Wayne G & Andy Allder Hurdy Gurdy Club Mix)
Heart Of Stone (Joebot’s ‘Ounce Of Bounce’ Remix)
Phantom Bride (Dogmatix’s ’12” Tearless’ Mix)
Chains Of Love (Plastic Operator Remix)
These great remixes are from the Phantom Bride CD EP, which came out in 2009 but is already out of print in America for some reason. I bought it used at Streetlight, along with the Erasure singles that I featured last week. Every remix here is a home-run, download them all and have a fabulous night.